I've not been able 
                to find much out about James Cook aside 
                from what is in the liner notes for 
                this release. He has three other discs 
                worth of material, all on Divine Art/Diversions, 
                two of which feature choral works. The 
                most recently released before this disc 
                is a collection of organ music. 
              
Regarding this disc, 
                I was intrigued by the harp/organ combination, 
                which isn't heard often. I don't have 
                such a duo in my collection and thought 
                I'd give this a try. Once I got the 
                CD, the names of the movements for the 
                Organ Symphony of 2005 had me clutching 
                for the liner-notes and various online 
                dictionaries. 
              
The piece follows a 
                sort of programme, beginning with Tripudium, 
                a liturgical dance step of three forward 
                steps followed by one backwards step, 
                which the piece replicates in its chord 
                progression. Liner-notes by the composer 
                indicate that this work "began as an 
                attempt to fuse music for organ and 
                for harp in a convincing and effective 
                way", but over its course, the two instruments 
                play together but rarely, even in the 
                two movements of the six where they 
                play antiphonally as much as they play 
                simultaneously. 
              
Following the Tripudium 
                is the Prolegomenon, or "preliminary 
                discussion introducing a work of considerable 
                length or complexity" for harp alone, 
                which is a rather pleasant movement, 
                though I found it interesting that the 
                introduction to the piece formed the 
                second movement of the symphony. This 
                is followed by the for-organ-only Noyade, 
                the definition of which I learned in 
                research is a "drowning of many persons 
                at once" which was an innovation developed 
                by Jean-Baptiste Carrier in France at 
                Nantes during the Reign of Terror. How 
                interesting that someone named after 
                John the Baptist would come up with 
                such a thing. The piece begins forcefully 
                and dissonantly but quietens down with 
                sections using the right-hand for a 
                narrative line as the left and pedal 
                provide chordal support. It is during 
                this movement especially that the unappealing 
                sound of the organ at Girton College 
                Chapel makes itself most apparent. The 
                movement switches between the first 
                motivic statement to the more quiet 
                second with not much development or 
                variation, giving somewhat of a similarity 
                between this piece and the sometimes 
                uninspired organ accompaniment to silent 
                films, with the changing of motivic 
                material dictated not by musical need, 
                but by the cuts to different characters. 
              
The harp takes the 
                helm with Trisagion, which is 
                found to be the term for an abbreviated 
                memorial service. The piece serves as 
                a bit of sunshine before we plunge into 
                the never-ending Empyreum, which 
                continues what we've heard for quite 
                some time with the organ part, the right 
                hand playing the narrative, with simple 
                chordal support in the left hand and 
                pedal. The piece varies little in this 
                style, which gets to be a bit wearisome 
                over the 37-minute playing time. Much 
                of it strikes me as sounding more like 
                pre-service music than anything else, 
                and little comes to light as the piece 
                ends, with rather clichéd harp 
                arpeggios sweeping things up to the 
                clouds. 
              
To a somewhat lesser 
                extent, this same uniformity plagues 
                the Trilogy for organ and harp, 
                written over the course of eleven months 
                between April 2004 and March 2005. The 
                harp and organ work more as an ensemble 
                here, but little comes of the material. 
                The piece tends to fall back into the 
                "harp or organ" rut and the chord progressions 
                lack surprise or interest. 
              
Cook fares better on 
                his smaller-scale works, three of which 
                are on the disc. The two songs are appealing 
                and ably performed by Tacye Phillipson 
                and Jennifer Clark. Voces Oxonienses, 
                an amateur student choir, are sensitive 
                and engaging in their performance of 
                the short choral work, In Heaven 
                Shall All be Love. 
              
Overall, the performances 
                are good, and the songs are enjoyable, 
                but the larger pieces have little variety 
                in approach or writing style. This, 
                and the occasionally irritating sound 
                of the organ both count against a recommendation. 
              
David Blomenberg 
                
              
Other James Cook 
                reviews on MusicWeb International 
                http://www.musicweb-international.com/classrev/2007/Jan07/Cook_Exequy_21206.htm 
                
                http://www.musicweb-international.com/classrev/2004/Apr04/Cook_Heaven.htm 
                
                http://www.musicweb-international.com/classrev/2006/Jan06/Cook_Organ_symphony_25031.htm 
                
                http://www.musicweb-international.com/classrev/2005/Sep05/cook_organ_25031.htm 
                
                http://www.musicweb-international.com/classrev/2005/July05/Cook_Heaven_25027.htm 
                
                http://www.musicweb-international.com/classrev/2004/Apr04/Cook.Heaven.htm