MusicWeb International One of the most grown-up review sites around 2024
60,000 reviews
... and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             


CD REVIEW

Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger


 

Buy through MusicWeb from £11.00 postage paid World-wide. Try it on Sale or Return
You may prefer to pay by Sterling cheque or Euro notes to avoid PayPal. Contact for details

Musicweb Purchase button

Premieres and Encores
Henry Hugo PIERSON (1815-1873)

Macbeth, Symphonic Poem Op. 54 (1859) [20:34]
Royal Philharmonic Orchestra/Barry Wordsworth
Alan RAWSTHORNE (1905-1971)

Fantasy Overture. Cortèges (1945) [14:34]
Royal Philharmonic Orchestra/Barry Wordsworth
David MORGAN (b.1933)

Contrasts (1974) [21:47]
Royal Philharmonic Orchestra/Vernon Handley
Francis CHAGRIN (1905-1972)

Concert Overture: Helter Skelter (1949) [6:46]
London Philharmonic Orchestra/John Pritchard
Peter WARLOCK (1894-1930)

Serenade for Strings (1922) [7:44]
London Philharmonic Orchestra/Nicholas Braithwaite
Malcolm ARNOLD (1921-2006)

Comedy Overture: Beckus the Dandipratt (1943) [7:52]
London Symphony Orchestra/Nicholas Braithwaite
rec. Jan 1994,Watford Town Hall (Rawsthorne and Pierson); April 1976, Kingsway Hall (Morgan); Jan 1976, Kingsway Hall (Chagrin); Aug 1978, Kingsway Hall (Warlock); Sept 1978, Watford Town Hall (Harty)
LYRITA SRCD.318 [79.22]





Pierson's discursive Macbeth tone poem has no specifically Scottish accent although there is the occasional bagpipe skirl. A memorable piece, it has lashings of bel canto and an overall idiom that relates it to Beethoven (symphonies 4 and 8), Ries and Weber. It is no surprise to read that Pierson spent much of his life in Germany. Like Holbrooke and d’Albert he even changed his name to make it more Teutonic. I'd like to hear more Pierson. In this era of recorded revivals there is surely no reason, apart from performing materials issues, why we should not also hear his Hamlet and the overtures As You Like It and Romeo and Juliet.

Handley's reading of the Alan Rawsthorne's Fantasy Overture: Cortèges shows a composer of broader and more varied palette than we might have presumed from the Symphonic Studies and Symphony No.1. This work is about processions of various sorts from grand and sombre to carnival cavalcades. While there are plenty of Rawsthorne hallmarks much of the music is surprisingly varied and delightful. There is also an element familiar from the macabre King Pest mood of Rawsthorne's friend Constant Lambert. In length it is closer to a tone poem than the typical concert overture. A bristlingly inventive score it holds a few surprises for people like me who think they know their Rawsthorne. The piece ends with a quiet tarantella impudence before the street revellers curl up to sleep.

David Morgan was a pupil of Alan Bush and Leighton Lucas at the RAM. He was accorded the honour of an LP from Lyrita coupling his Violin Concerto and the present piece in 1974. Lyrita must have plans for a different coupling for the Violin Concerto which was premiered in Prague in 1967. I see there is also an as yet unrecorded Sinfonia da Requiem which gives "a personal, not a political reaction to the events of August 1968". Its mood is seemingly reflected in the first movement of Contrasts. His Spring Carnival Overture (not on disc) is apparently akin to the music of the second movement. Contrasts is in two movements and is dedicated to the memory of Shostakovich. It's a work of subdued tones and intimations of darkness especially in the first movement. The subtle brilliance of this recording can be heard at tr. 3, 5.51 where the sustained resonance of a gong-stroke is grippingly put across - a delight. In the last movement wheeling and darting brilliance combines with a slightly Shostakovichian flavouring.

Chagrin was active in the worlds of concert music and film. His Helter Skelter overture bestrides the two being based on music he had written for the frothy 1949 film of the same name. Its not quite as pell-mell as you might expect from the title but the atmosphere is certainly as jaunty and uproarious as the cinema music of Auric. Peter Warlock's Serenade for Strings is given a rather pressed performance - more lilt and less impatience would have helped as it did when it was recorded for EMI Classics by Norman del Mar in the late 1960s. It is no surprise that it was written in 1922 for Delius's sixtieth birthday. While Braithwaite might well have miscalculated on the Warlock he is just confidently magnificent in Beckus the Dandipratt which needs and here gets flighted energy, a twist and a skirl as well as a rambunctious snarl and volatility. This is for me the best and most rewarding reading the overture has had even allowing for the composer's own and that of Vernon Handley. Every detail tells whether it is in Rowlandson-style street hurly-burly or Ealing era insouciance.

The notes are by the always thoughtful and invaluably reflective Paul Conway. More please.

The motley nature of this collection and the imperative to use recordings cut loose by other, usually composer-themed, collections does not stop this assemblage having its own very welcome bouquet.


Rob Barnett

Also Available

LYRITA SRCD.200 Sir Malcolm Arnold Symphony No.4 Op.71
LYRITA SRCD.201 Sir Malcolm Arnold English, Irish, Scottish, Cornish Dances
LYRITA SRCD.255 Rawsthorne Piano Concertos Nos. 1 & 2
LYRITA SRCD.257 Rawsthorne Divertimento
LYRITA SRCD.291 Rawsthorne Symphonies Nos. 1, 2 & 3

 

Lyrita Catalogue



 


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Chandos recordings
All Chandos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews



all Bridge reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing

 

 

Return to Review Index

Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.