Elzbieta Sternlicht concludes her foray 
                into the piano works of little-known 
                Polish composer Jozef Koffler in this 
                second volume. Exterminated with his 
                family in Auschwitz, his work hasn’t 
                been heard until now. With works the 
                public saw as unapproachable and sterile, 
                he was held in low esteem during his 
                lifetime; his work all but vanished 
                after his death. 
              
 
              
These pieces, sensitively 
                and ably played, call to mind the atmosphere 
                of Hindemith, contrapuntal and occasionally 
                brittle, but never uninteresting. None 
                of the works here is very long — the 
                Musique de ballet Op. 7’s four 
                pieces clocks in at just under ten minutes. 
                Swaying between Hindemith’s sonic world 
                and the swagger of Prokofiev’s piano 
                miniatures, these movements doff a hat 
                on occasion to dance music of the time. 
              
 
              
Two sets of variations 
                are on this disc, the first, dedicated 
                to Schoenberg, most strongly shows that 
                influence. Variations on a theme 
                of a twelve-tone series is sparse, 
                angular and introspective. As a sort 
                of palate cleanser, Four Pieces for 
                Children affords a change of tone. 
                Here, the harmonies are less sharp, 
                but in listening to them, they likely 
                wouldn’t appeal to the kiddies so much 
                as to the teacher. The Variations 
                on a waltz of Johann Strauss follow. 
                Making an appearance here in spirit 
                is Mompou, calling to mind especially 
                Mompou’s Chopin variations, though 
                here we skip the theme and proceed immediately 
                to the variations, which from the outset 
                move the Strauss theme into a far cooler 
                realm. 
              
 
              
The disc time is rather 
                short at only forty minutes, but the 
                music is interesting, of quality, and 
                performed well. As I mentioned in my 
                review of volume one, it appears that 
                we will be seeing quite a bit of non-standard 
                repertoire from Poland in the coming 
                months. If they are of the quality of 
                this release, we have a great deal of 
                good listening to look forward to. 
              
 
                David Blomenberg  
              
see also review 
                of Volume 1
              
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