This CD of music for 
                unaccompanied solo flute played by Laurel 
                Zucker offers a chance to hear a number 
                of seldom-heard and little-known works 
                as well as some more familiar music. 
                Originally recorded some time ago and 
                released back in 1994, Zucker, a virtuoso 
                American flautist, plays a selection 
                from J. S. Bach onwards. 
              
 
              
While an entire disc 
                of unaccompanied flute music such as 
                this might be considered by some to 
                be a little much, this considered selection, 
                and the all-round fine performances 
                and recording quality, provide a pleasant 
                surprise. More than half of the music 
                on this disc was written in the eighteenth-century. 
                While some of the performances are extremely 
                satisfying, there is, however, the ever-present 
                issue of these works being played on 
                a modern flute; so this disc may not 
                prove to be to everyone’s tastes. 
              
 
              
The disc opens with 
                two short works by the nineteenth-century 
                French composer and flautist Johannes 
                Donjon. Both Elégie and 
                the title work of the disc, Song 
                of the Wind combine an acute lyrical 
                sense with flowing virtuosic writing, 
                admirably executed. These two works 
                by Donjon and the later work by Katherine 
                Hoover (Kokopeli), frame a selection 
                of movements taken from the first, third 
                and fourth of J. S. Bach’s Cello Suites. 
                The Cello suites show themselves to 
                be versatile works and they transfer 
                fairly convincingly to the flute, providing 
                further opportunity to display Zucker’s 
                technical and lyrical capabilities. 
              
 
              
Written in 1990, Kokopeli 
                demonstrates the American composer 
                and flautist Katherine Hoover’s plentiful 
                knowledge of the flute’s capabilities 
                in a suitably atmospheric way. Most 
                of the rest of the disc contains more 
                music from the eighteenth-century in 
                the form of Georg Philipp Telemann, 
                J. S. Bach and his son Carl Philipp 
                Emanuel Bach. Zucker continues to show 
                herself to be in command, with immaculate 
                and careful phrasing and articulation 
                that makes the most of this repertoire. 
                Particularly impressive is the Sonata 
                for Solo Flute in A minor of C. 
                P. E. Bach, while the selection of 
                Fantasias by Telemann provides a 
                mostly more reflective and wistful impression. 
                The Partita in A minor of J. 
                S. Bach does not shine forth as brightly 
                as the other Baroque works in this recording. 
                The dance-like qualities are not always 
                effectively and consistently portrayed. 
              
 
              
A composer in her own 
                right, the disc closes with a short 
                work by Zucker – Pandora’s Box. 
                Its improvised nature, shows effectively 
                how a relatively low and small range 
                on the flute can produce a varied array 
                of sounds and nuances. 
              
 
              
A substantial and impressive 
                biography of Laurel Zucker could perhaps 
                have been complemented with at least 
                some notes about the music. Nevertheless 
                a recommended introduction to the music-making 
                of this fine player. 
              
 
               
              
Adam Binks