MusicWeb Reviewer’s Log: February 2006 
              
               
              Reviewer: Patrick C Waller
              
              
              Everyone likes a good 
                bargain and the best I have come across 
                recently is the complete set of Villa-Lobos 
                string quartets on the Brilliant 
                Classics label (catalogue no. 6634). 
                There are 17 quartets written over a 
                period of more than forty years; they 
                are interesting and approachable works 
                even if the composer was surprisingly 
                orthodox about form in this genre - 
                for example, all except the 1st 
                have four movements. This is a six CD 
                set which has been licensed from Dorian 
                and features the Latin American Quartet. 
                As recently as August 2003, Jonathan 
                Woolf was enthusiastically reviewing 
                these discs as they were being issued 
                at full price (see link 1 from which 
                there are links to the whole series). 
                This slimline set is very attractively 
                presented and recently cost me just 
                £12-50 - a special offer but the regular 
                price is probably not much greater. 
                The performances are excellent and, 
                compared with the two discs in the rival 
                series I have heard, considerably preferable 
                to the Danubius Quartet on Marco Polo. 
                This is highly idiomatic playing and 
                the recordings are first-rate. There 
                is a sense of atmosphere here which 
                is most compelling and which the rival 
                Hungarians do not match. Villa-Lobos’s 
                contribution to the string quartet seems 
                under-recognised - they are surely amongst 
                his finest works - but the ready availability 
                of this set could change that.
              
              Catching up on Christmas 
                presents, I was fortunate to receive 
                Opera proibita, Cecilia Bartoli’s 
                latest offering with extracts from music 
                by Handel, Alessandro 
                Scarlatti and Caldara 
                which was initially banned by the Catholic 
                Church. Christopher Howell’s review 
                (link 2) indicates that he too was won 
                over by Bartoli’s singing and, whatever 
                one thinks of the presentation (it is 
                fine by me), this is well worth hearing.
              
              As usual, there has 
                been a good crop of Naxos discs. Pride 
                of place goes to the disc of Piano Concertos 
                by Ferdinand Ries (links 
                3 and 4). A pupil of Beethoven, one 
                can certainly hear echoes of the master 
                and there is fine solo playing from 
                Christopher Hinterhuber. As Colin Clarke 
                says this is "sheer delight" 
                and the first in a series of recordings 
                of Ries’s concertos, the rest of which 
                will be awaited with some anticipation. 
                Naxos’s American Classics series continues 
                to impress me and there has been a recent 
                rush of discs by William Bolcom. 
                The music for two pianos (links 5 and 
                6) is a diverse mix, starting with the 
                delightful Recuerdos which gives 
                homage to important figures in Latin 
                American music, most strikingly Ernesto 
                Nazareth. Frescoes and the Sonata 
                which follow are much more serious stuff 
                but there are two attractive lollipops 
                to finish. Morton Gould’s 
                music has been rather neglected on disc 
                but one of the late Kenneth Schermerhorn’s 
                final discs makes some amends. The main 
                work is the Ballet Fall River 
                and the Jekyll and Hyde Variations 
                provide a fill-up. As Patrick Gary’s 
                review indicates (link 7), both are 
                interesting works.
              
              Amongst the discs I 
                have reviewed myself, the most worthwhile 
                have been the completion of Martin Roscoe’s 
                cycle of Szymanowski’s Piano 
                Music (link 8), the symphonies of the 
                man who didn’t complete Mozart’s Requiem 
                – Joseph Eybler (link 
                9), and an attractive selection of bon-bons 
                by the "Danish Strauss" – 
                Hans Christian Lumbye 
                (link 10). If any of those appeal, they 
                can purchased with confidence, as can 
                a disc of piano music by Glazunov 
                played by Stephen Coombs (link 11). 
                This is a re-release on Hyperion’s budget 
                Helios label and the first disc of a 
                highly regarded series.
              
              Last month I mentioned 
                the music of Alice Mary Smith, 
                the almost forgotten Victorian female 
                composer (1839-1884) whose clarinet 
                sonata I had heard performed live. Since 
                then I have tracked down the only disc 
                I could find of her music – two symphonies 
                and an orchestral version of the slow 
                movement of the same clarinet sonata. 
                This is on the Chandos label (CHAN10283) 
                and features the London Mozart Players 
                under Howard Shelley. There is some 
                beautiful playing from clarinetist Angela 
                Malsbury in the Andante. I also 
                enjoyed the symphonies, the first of 
                which was written (and premiered) when 
                she was aged 24, and second from 13 
                years later. The latter was intended 
                for entry in a British symphony competition 
                but never submitted. Apparently there 
                were 38 entries and it was won by F.W. 
                Davenport. If you’ve heard of him you 
                are doing better than me and the 50,000 
                plus database of CDs from which I found 
                this disc doesn’t have any of his music 
                at all.
              
              I have been remiss 
                in not hearing any live music this month, 
                unless I can count the obligatory television 
                relay of the New Year’s Day concert 
                from Vienna, notable for the debut of 
                Mariss Jansons and enjoyable as ever. 
                Somehow I haven’t caught Mozart anniversary 
                fever either. Perhaps I am distracted 
                by large doses of Scarlatti 
                – my review of Scott Ross’s 34 CD set 
                of sonatas is now past half-way (link 
                12) and by listening to the some more 
                discs (I have reached 7 out of 40) from 
                the complete Schubert 
                songs on Hyperion. This is certainly 
                living up to expectations, even though, 
                with the chronological presentation, 
                most of the early songs are unfamiliar.
              
              I finish on a sad note. 
                A family friend of Margaret Hubicki 
                wrote to tell me that she had died on 
                3 January at the age of 90. Last July 
                I reviewed the first ever disc devoted 
                entirely to her music and it was a recording 
                of the month (link 13). Fortunately 
                it was released in her lifetime and 
                I am sure that it must have given her 
                great pleasure. 
              
              
              Patrick C Waller
              
              
              
              Links
               
              1. http://www.musicweb-international.com/classrev/2003/Aug03/villa_lobos6.htm
              2. http://www.musicweb-international.com/classrev/2005/Nov05/Opera_Proibita_4756924.htm
              3. http://www.musicweb-international.com/classrev/2006/Jan06/Ries_concertos_8557638.htm
              4. http://www.musicweb-international.com/classrev/2006/Jan06/Ries_PianoConcertos_8557638.htm
              5. http://www.musicweb-international.com/classrev/2006/Jan06/Bolcom_2Pianos_8559244.htm
              6. http://www.musicweb-international.com/classrev/2005/Dec05/Bolcom_2pianos_8559244.htm
              7. http://www.musicweb-international.com/classrev/2006/Jan06/Gould_FallRiver_8559242.htm
              8. http://www.musicweb-international.com/classrev/2006/Jan06/Szymanowski_vol4_8557168.htm
              9. http://www.musicweb-international.com/classrev/2006/Jan06/Eybler_1&4_7771042.htm
              10. http://www.musicweb-international.com/classrev/2006/Jan06/Lumbye_Tivoli_CHAN10354x.htm
              11. http://www.musicweb-international.com/classrev/2006/Jan06/Glazunov_Piano_CDH55221.htm
              12. http://www.musicweb-international.com/classrev/2005/Nov05/Scarlatti_sonatas_2564620922.htm
              13. http://www.musicweb-international.com/classrev/2005/July05/hubicki_dedication_CHAN10322.htm