“His music goers straight to your heart”
- Julia Migenes – soprano
Here is another
valuable DVD, another programme culled from the BBC ‘Great
Composers’ series, broadcast in late 1997 and early 1998.
This one, devoted to the life and works of Puccini is visually
splendid. Its locations include the lovely, medieval Tuscan
town of Lucca where the composer was born but why not film
inside the actual birthplace which is such an interesting
Puccini museum? We also see Pisa and Milan and Puccini’s homes
in Viareggio and Torre del Largo for a glimpse of Madam
Butterfly in the outdoor, lake-side theatre that is the
location the annual Puccini Opera Festival.
As usual, in this
BBC series, the most telling contributions are by the artists
and the biographers. Again I must protest that the Warner/NVC
packaging. It does no justice to the invaluable contributions
of the musicologists and authors, Julian Budden and William
Ashbrook whose credits are diminished to tiny proportions,
obscured by the placement of the DVD, on the inside right
of the single sheet leaflet that is all that accompanies the
disc. Opera producer Jonathan Miller confirms that Puccini
“is a master dramatist” and, that the operas are the
most popular of all, the revenue of their performances enabling
the production of so many other operas. Julia Migenes enthuses
about the strong roles for women in Puccini’s operas citing
the characters, Tosca and Manon Lescaut, Of Puccini’s music
for the latter opera she says that it is “… perfectly,
musically, emotionally spoken out, with every instrument expressing
every feeling; [Puccini] seems to have had a great sense of
acting in his music.” Many contributors comment on Puccini’s
vivid sense of theatre and how his operas are so shrewdly
constructed so as to derive the maximum dramatic and emotional
impact; and how meticulous Puccini was in his background researches.
Julian Budden cites, for example, how Puccini had visited
Rome’s Castel Sant’Angelo and stood on the battlements to
hear the bells of the City before he wrote that wonderfully
evocative dawn scene: the orchestral introduction to Act III
of Tosca.
Although one appreciates
that the scope of the documentary is restrained by its 58-
minute running time, it is to be regretted that there is no
mention of Puccini’s much underrated opera, La Rondine,
and it hardly touches upon Il Trittico, except for
a mention of the beautifully atmospheric Prelude to Il
tabarro. We could have done with a little less attention
to the more lurid details of the composer’s life; his many
extra-marital affairs recalled with amusement and relish by
descendants of his neighbours. If so it might have released
time for this more pertinent material.
The excerpts are
all performed with enthusiasm and dedication; the ardent voice
of Jose Cura impressing especially.
Despite a few
reservations especially about certain omissions, this is an
excellent introduction to the life and work of opera’s most
popular composer.
Ian Lace
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