“His music goers straight to your heart” 
                    - Julia Migenes – soprano
 
                  Here is another 
                    valuable DVD, another programme culled from the BBC ‘Great 
                    Composers’ series, broadcast in late 1997 and early 1998. 
                    This one, devoted to the life and works of Puccini is visually 
                    splendid. Its locations include the lovely, medieval Tuscan 
                    town of Lucca where the composer was born but why not film 
                    inside the actual birthplace which is such an interesting 
                    Puccini museum? We also see Pisa and Milan and Puccini’s homes 
                    in Viareggio and Torre del Largo for a glimpse of Madam 
                    Butterfly in the outdoor, lake-side theatre that is the 
                    location the annual Puccini Opera Festival. 
                  
As usual, in this 
                    BBC series, the most telling contributions are by the artists 
                    and the biographers. Again I must protest that the Warner/NVC 
                    packaging. It does no justice to the invaluable contributions 
                    of the musicologists and authors, Julian Budden and William 
                    Ashbrook whose credits are diminished to tiny proportions, 
                    obscured by the placement of the DVD, on the inside right 
                    of the single sheet leaflet that is all that accompanies the 
                    disc.  Opera producer Jonathan Miller confirms that Puccini 
                    “is a master dramatist” and, that the operas are the 
                    most popular of all, the revenue of their performances enabling 
                    the production of so many other operas. Julia Migenes enthuses 
                    about the strong roles for women in Puccini’s operas citing 
                    the characters, Tosca and Manon Lescaut, Of Puccini’s music 
                    for the latter opera she says that it is “… perfectly, 
                    musically, emotionally spoken out, with every instrument expressing 
                    every feeling; [Puccini] seems to have had a great sense of 
                    acting in his music.”  Many contributors comment on Puccini’s 
                    vivid sense of theatre and how his operas are so shrewdly 
                    constructed so as to derive the maximum dramatic and emotional 
                    impact; and how meticulous Puccini was in his background researches. 
                    Julian Budden cites, for example, how Puccini had visited 
                    Rome’s Castel Sant’Angelo and stood on the battlements to 
                    hear the bells of the City before he wrote that wonderfully 
                    evocative dawn scene: the orchestral introduction to Act III 
                    of Tosca. 
                  
Although one appreciates 
                    that the scope of the documentary is restrained by its 58- 
                    minute running time, it is to be regretted that there is no 
                    mention of Puccini’s much underrated opera, La Rondine, 
                    and it hardly touches upon Il Trittico, except for 
                    a mention of the beautifully atmospheric Prelude to Il 
                    tabarro. We could have done with a little less attention 
                    to the more lurid details of the composer’s life; his many 
                    extra-marital affairs recalled with amusement and relish by 
                    descendants of his neighbours. If so it might have released 
                    time for this more pertinent material. 
                  
The excerpts are 
                    all performed with enthusiasm and dedication; the ardent voice 
                    of Jose Cura impressing especially.
                  
Despite a few 
                    reservations especially about certain omissions, this is an 
                    excellent introduction to the life and work of opera’s most 
                    popular composer. 
                    
                    Ian Lace
                    
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