2020 54,416 reviews and more.. and still writing ...

Search MusicWeb Here You can also use this FreeFind              International mailing

Searching Musicweb Monthly index Recordings of the Year Label index Masterwork index Series index Search engines Review Archive Classical Downloads Jazz Concerts Nostalgia Books Film music Resources Composer pages Tony Duggan's Mahler survey National discographies Mark Morris's Guide to Twentieth Century Composers Ralph Moore's Surveys Online books Piano Trio Survey Cello Concerto Project Pot Pourri - Early MusicWeb Gerard Hoffnung Arthur Butterworth's columns Philip Scowcroft's British light music collection Interviews Programme notes MusicWeb Listening Studio Other material Articles Seen & Heard Message Board Announcements About Musicweb About Musicweb Contact Musicweb Contributors What they say about us Visitor stats Site Map

Founder: Len Mullenger                                    Editor in Chief:John Quinn

BUY NOW  Buywell Just Classical

Alice Giles (harp) - Song in the Night John STEVENSON (1761-1833) arr. Carlos SALZEDO (1885-1961) Believe Me, if All Those Endearing Young Charms Carlos SALZEDO Jolly Piper - Concert Fantasy on the theme of "The Sailor's Hornpipe" Trad. IRISH arr. Frederick E. WEATHERLY (1848-1928) and Salzedo Londonderry Air Jules MASSENET (1842-1912) arr. Salzedo Menuet d'amour from Therese George Frideric HANDEL (1685-1759) arr. Salzedo The Harmonious Blacksmith - Air and Variations Felix MENDELSSOHN (1809-1847) arr. Salzedo Spring Song from Songs without Words, Book 5 Carlos SALZEDO Traipsin' thru Arkansaw - Concert Fantasy on the theme of "The Arkansas Traveller" Trad. SCOTTISH arr. Salzedo Annie Laurie Negro Spiritual arr. Salzedo Deep River Carlos SALZEDO Dixie Parade - Concert Fantasy on the theme of "Dixie" Stephen C. FOSTER (1826-1864) arr. Salzedo My Old Kentucky Home Carlos SALZEDO Turkey Strut - Concert Fantasy on the theme of "Turkey in the Straw" Trad. IRISH arr. Salzedo The Last Rose of Summer Carlos SALZEDO Chanson dans la nuit (Song in the Night); La Desirade Agustin LARA (1897-1970) arr. Salzedo Concert Fantasy on "Granada" George Frideric HANDEL arr. Salzedo Largo from Xerxes Antonin DVORAK (1841-1904) arr. Salzedo Humoreske, Op. 101 No. 7 Franz LISZT (1811-1886) arr. Salzedo Paraphrase on Hungarian Rhapsody No. 2 Anton RUBINSTEIN (1829-1894) arr. Salzedo Melody in F, Op. 3 Johannes BRAHMS (1833-1897) arr. Salzedo Waltz, Op. 39 No. 15; Lullaby, Op. 49 No. 4 Alice Giles (harp) rec. May 1999, St Scholastica's Chapel, Glebe, Australia. DDD ABC CLASSICS 476 5250 [68:48]

This is harp music of crystalline definition and diaphanous delight. Although largely arrangements of dear favourites there are two tracks out of the 22 that are Salzedo originals. Carlos Salzedo - like Ravel - was born in the Basque region of southern France, overlooked by the Pyrenees. In his teens he studied at the Paris Conservatoire and there discovered his genius for the harp. A polymath, he was active in many fields but certainly as performer with Toscanini at the Met, in the Trio Lutèce with Barrère and Kefér, with Stokowski and Klemperer, with Edgard Varèse and the International Composers' Guild. There is not a great deal to be said about this music except that it is typically delightful and is presented with evident pleasure by Alice Giles who originally recorded the disc for Artworks in 1999 on AW025. The disc can be enjoyed as a low key sepia-toned background but four or five tracks at a time can be heard for more concentrated pleasure. The arrangements fall into several categories. There are classical pieces such as Brahms' Waltz op. 39 No. 15, Dvořák's Humoreske, Mendelssohn's Spring Song. Folksong, sentimental evergreens and spirituals make up most of the rest of the portion. Delightful among these are Traipsin' Thru Arkansaw (full of inventive asides) and Deep River. A few may cause you to wince for their unblushing sentimentality. Not in that category at all are the multi-tiered and fascinatingly inventive Chanson dans la nuit which is chiselled and etched in Ravelian colours. Here is music fretting and sighing, whispering and yearning, singing and archly playful. It is a gloriously impressionistic piece with a mien similar to the quieter nocturnal chapters of Ravel's Rapsodie Espagnole. La Désirade is more sensual yet. Apparently it was originally called Prélude lascif however Salzedo redubbed it when he discovered that the term lascif has more lewd connotations in French than the apparently equivalent word lascivious in English. In both these original pieces the player is called to knock on the wooden frame of the harp. Désirade is an island near Guadeloupe and the new title better conveys the sensuous languor intended by the composer. The sultriness carries over into the Granada fantasy. Rob Barnett BUY NOW  Buywell Just Classical     Advertising on Musicweb Donate and keep us afloat   New Releases All Naxos reviews All Chandos reviews All Hyperion reviews All Foghorn reviews All Troubadisc reviews all cpo reviews Click to see New Releases Get 10% off using code musicweb10 All Divine Art reviews All APR reviews All Lyrita Reviews   Obtain 10% discount

Return to Index

Reviews from previous months Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details We welcome feedback on our reviews. Please use the Bulletin Board Please paste in the first line of your comments the URL of the review to which you refer.