More of Stevenson’s 
                  piano music now finds its determined way onto CD and it’s in 
                  safe hands. 
                The Three Lyric 
                  Pieces are early works. Vox stellarum strikes slow 
                  motion incandescence off the conflicting harmonies while the 
                  Chorale Prelude for Jean Sibelius is sombre and bell-grumblingly 
                  dark. The final Andante Sereno is peppery yet thoughtful.
                Also early is the 
                  set of Three Nativity Pieces with a gawky limping march 
                  full of character, a crystal-glinting waltz with a slow liquid 
                  scintillation and a regretful Pierrot carol.
                The Symphonic 
                  Elegy for Liszt is deeply serious and at its climax rings 
                  out in granitic majesty - a tipping point between Hungarian 
                  song and Highlands Gaelic. Erik Chisholm would have loved this.
                The Carlyle 
                  Suite was written for this soloist who at the time lived 
                  in Ecclefechan, Thomas Carlyle’s birthplace. It is in eight 
                  movements incorporating a set of variations. There’s a grave 
                  aubade, a lyrically-loaded Souvenir de Chopin subtitled 
                  Jane Welsh Carlyle listens to Chopin. The Scherzino 
                  plays wittily with the shrouds of what sounds like a chuckling 
                  romantic song from the turn of the 19th and 20th 
                  centuries. The sun sets into a glimmering twilight which rather 
                  like the Vox Stellarum sometimes recalls the astral-encrusted 
                  firmaments of Urmis Sisask.
                The Scottish folk 
                  music settings are delicate yet durably strong. The composer’s 
                  hallmark is there: an interplay between chiming melody in the 
                  high register and an almost suave velvety level of activity 
                  in the bass. Melody is to the fore as so often with Stevenson 
                  and always presented with a subtle yet never effete poetry.
                The liner notes 
                  are by Stevenson’s friend and evangelising scholar Colin Scott-Sutherland 
                  who edited the book on Ronald Stevenson - The Man 
                  and His Music (see review).
                This is a finely 
                  documented disc and the booklet has been well designed.
                This is music that 
                  predominantly wheels in a kaleidoscope of constant slow motion 
                  amid velvet-buffered gentle dissonances.
                Rob Barnett 
                Other Stevenson reviews: 
                Songs:
                  http://www.musicweb-international.com/classrev/2003/May03/ae_gowden.htm
                DSCH:
                Gasser: http://www.musicweb-international.com/classrev/2001/Apr01/stevenson.htm
                McLachlan: http://www.musicweb-international.com/classrev/2004/Mar04/stevenson_DSCH.htm
                String quartet:
                  http://www.musicweb-international.com/classrev/2003/Nov03/Bodorova_Stevenson.htm
                Piano Music of Scotland:
                  http://www.musicweb-international.com/classrev/dec98/scott.html
                  http://www.musicweb-international.com/classrev/dec98/scottish.html