I was privileged to visit
St Wenzel’s Church in Naumburg in June 2001 with the postgraduate
organ class of the Toulouse Conservatoire. The church houses
the important 1740s organ by Zacharias Hildebrandt, a sizeable
three manual instrument which Johann Sebastian Bach knew and
played. The organ was most recently restored by the firm of
Eule in the late 1990s, and organists have flooded to play it
since its re-inauguration in 2000. The Plenum may not be the
most authentic for playing Bach, but it is certainly thrilling
to play and listen to. Gerhard Weinberger has chosen a varied
programme of works for this his 16th disc of Bach’s solo organ
works.
The programme opens with
a bold performance of the Pièce d’Orgue (8 foot plenum for the
opening, 16 foot for the centre, with 32 reed added for the
end). Two Trios are included: In no. 3 I didn’t particularly
like the registrations, especially with regard to balance (for
example the third movement 842 against Principal 8 and Flute
4). The bright colours for the Sixth Sonata are more suitable
for the style of this piece, which is given a lively reading.
The other substantial item is the Canonic Variations in the
BWV 769a version. Again Weinberger chooses bold and varied colours
and I especially enjoyed the central variation which builds-up
to a powerful climax. The Praeludium et Fuga in A has interesting
rhythmic interest, although again I found the opening registration
(8 and 2) a little anachronistic. The Fuga in g BWV 542 (without
the Fantasia) and the chorale Jesus, meine Zuversicht complete
a well-constructed programme that one might expect to hear as
a full concert performance. The CD booklet contains details
of the music, instrument and performer in three languages and
a full specification as well as registrations. Weinberger achieves
well paced performances - this is worth adding to your collection.
Graham Mark Scott