ABC has been releasing 
                some examples of Sydney’s International 
                Piano Competition in their piano-striped 
                booklet livery; I’ve reviewed 
                a past competition on this site 
                but now we’re pretty well bang up to 
                date with performances from July 2004. 
                Rem Urasin was born in Kazan in Russia 
                in 1976, studied with Lev Naumov in 
                Moscow and has made a number of recordings. 
                Like many young pianists he’s done his 
                fair share of competition rounds – Warsaw 
                and Monte Carlo amongst them – and received 
                second prize at Sydney as well as a 
                clutch of Best Performance and Listeners’ 
                favourite awards. 
              
 
              
He certainly chose 
                a Moscow warhorse with the Tchaikovsky 
                and we can hear him in heroically close-up 
                perspective. The orchestra, unfortunately, 
                whilst somewhere in the Sydney Opera 
                House is not that audible on disc. This 
                is one clearly for the pianist’s admirers. 
                Urasin starts rather cautiously and 
                there is a lack of precision in some 
                of his runs; the occasional dropped 
                note hardly matters. Whether as a result 
                of the too-close perspective or not 
                his tone is rather brittle and things 
                tend to hang fire in the first movement. 
                One can see why his won the Mozart prize 
                if his slow movement is any indication 
                – lyrical and humorously done and he 
                gets a rousing cheer at the end of the 
                finale. Coupled with the Concerto is 
                the Concert Suite from The Nutcracker 
                in Pletnev’s persuasive and captivating 
                arrangement. ABC has shown service to 
                Pletnev-Tchaikovsky in the past and 
                it’s well merited, not least when János 
                Fürst is at the helm. Sound quality 
                here is much better. 
              
 
              
Jonathan Woolf