Comparison Recordings:
Prokofiev: D. Oistrakh, Rozhdestvensky,
Moscow SO. various LP releases.
Prokofiev: D. Sitkovetsky, C. Davis,
LSO. Virgin 45108
Khachaturian: D. Oistrakh, Khachaturian,
Moscow SO Russian Disc RUS 11 012
Khachaturian: Kogan, Monteux, BSO BMG/RCA
Living Stereo 63708
Glazunov: Jascha Heifetz, Walter Hendl,
RCA SO RCA Red Seal RCD1-7019
These recordings are
very cool, confidently virtuosic, eschewing
any Gypsy passion or Russian sense of
tragedy. They achieve a completely Romantic
feeling along with clear, precise and
energetic musicianship. The SACD tracks
are truly in surround sound with sound
sources filling the listening space,
the violin vividly present but at a
realistic volume level with respect
to the orchestra. The CD tracks are
of unusually high dynamic range, and
notably clear and transparent. All of
the alternative recordings listed above
are more expressive, more passionate,
but none are so well recorded, and none
are more capably played. Ms. Fischer,
who certainly showed us what she can
do in her gorgeous Vivaldi Four Seasons
video, takes an energetic and youthful
approach to these works which were generally
written by youthful - well, Glazunov
was in his early middle age - composers.
But, overall, none
of the recordings on this disk is as
satisfying musically as any of the listed
alternates. Certainly the Oistrakh Prokofiev
and Khachaturian concerto recordings
are absolutely necessary in any collection
which includes that music. Although
I greatly enjoy and admire most Glazunov,
I have never particularly liked this
concerto. Fischer’s graceful, well-structured,
thoughtful approach is very appealing.
I prefer it to the Heifetz version,
although Heifetz sets out to find more
passion in the score and most listeners
will likely prefer Heifetz.
Paul Shoemaker