The record buyer wishing 
                to purchase a budget-price set of Franck's 
                complete major organ works is well served 
                at the moment. Together with this re-issued 
                and re-mastered Erato recording of Marie-Claire 
                Alain from 1976, there is Naxos's recording 
                of Eric Lebrun on the unaltered Cavaillé-Coll 
                of St Antoine des Quinze-Vingts in Paris; 
                a stylish, supple, personal and all-round 
                excellent recording. There is also Brilliant 
                Classics' re-issue of Jean Guillou's 
                gruesome recording for Dorian, recorded 
                in St Eustache, now available for pennies 
                from a certain well-known Dutch chemist 
                chain, but this is easily dismissible. 
              
 
              
Marie-Claire Alain's 
                performances are still as well worth 
                owning today as when they were originally 
                released. These are committed, insightful 
                readings of a very high quality. Sometimes 
                her tempi, seen from the post-Joel-Marie 
                Facquet world of 2004 seem a bit sluggish. 
                However she never exaggerates at the 
                slow end of the tempo-spectrum in a 
                mis-guided attempt to conjure the mythical 
                world of the 'père angélique', 
                something so many organists are guilty 
                of, especially for example at the beginning 
                of the Grand Pièce Symphonique 
                or in the Prière. In addition, 
                I find her readings sometimes a little 
                too calculated, but this is very much 
                a matter of taste. 
              
 
              
Alain chose as her 
                instrument one of the mildest and most 
                beautiful larger Cavaillé-Colls, 
                a relatively late (1879) instrument 
                in St François-de-Sales in Lyon, 
                (3/45). It is, it goes without saying, 
                perfectly suited to Franck's music. 
                Unfortunately no specification is included. 
                This is not acceptable. Lucid and interesting 
                programme notes from Alain are however 
                included and although my recommendation 
                would still be for Lebrun (just), these 
                ensure that Apex's release is well worth 
                having. 
              
Chris Bragg