This disc contains 
                18 hymns in a range of styles with an 
                emphasis upon the traditional. There 
                are a number of arrangements by Stephen 
                Darlington, Ralph Allwood and Howard 
                Goodall, amongst others. In general 
                terms, the choir of Christ Church Cathedral 
                achieve a wide degree of variety for 
                instance through solos, verses for boys 
                only or men, re-harmonisations and descants. 
                The Rieger organ is well handled by 
                the Sub-Organist, Clive Driskill-Smith, 
                who uses upperwork sparingly and concentrates 
                on the less harsh foundation tone. The 
                blend with the voices is therefore more 
                satisfactory. There is a good sense 
                of line and phrasing, and the modulations 
                from hymn to hymn have been carefully 
                considered. A CD of entirely hymns is 
                a difficult formula, so listening in 
                small sections is likely to be much 
                more satisfying. 
              
 
              
There are many highlights. 
                Nothing is overstated or outlandish, 
                and the singing has a very pleasing 
                polished and bright sound. Amazing Grace 
                opens with a discreet organ accompaniment, 
                solos and an unusual calmness. Let us 
                with a Gladsome Mind exemplifies the 
                well-blended and, when required, gutsy 
                tone especially from the men. The phrasing 
                of the organ part (breaking with the 
                voices at the end of each phrase) is 
                a matter of personal taste, although 
                sometimes I would have wished for a 
                continuity in the organ sound whilst 
                the voices breathed. Tempi are generally 
                quite stately which does aid very clear 
                dictation. The trebles have the ability 
                to vary their articulation which also 
                contributes to the success of this recording. 
                When I Survey the Wondrous Cross is 
                in a very pleasant arrangement by Goodall, 
                with organ introduction and interludes, 
                an a cappella verse with new harmonies 
                and a strong last verse in unison. His 
                setting of Morning has Broken is also 
                fresh, in D flat major (unusually) and 
                with rhythmic variations in the melody. 
                The Allwood arrangements are also successful, 
                with strong descants (for example Nun 
                Danket) and a fanfare for Holy, Holy, 
                Holy! The disc ends with a modern setting, 
                Nkosi Sikelel iAfrica, arranged by 
                Goodall. 
              
 
              
The booklet accompanying 
                the recording is comprehensive containing 
                programme notes, full texts for all 
                of the hymns, and notes about the performers. 
                Highly recommended. 
              
Graham Mark Scott