This is an absolutely
first-rate release from Dutch-based
label Festivo featuring exemplary performances
of two of the better known late-French
Romantic masterpieces, coupled with
a breathtakingly beautiful transcription
of the Fauré Suite. Louis
Robilliard is organist titulaire of
the mild, warm Cavaillé-Coll
in Lyon (1879) and Professor of Organ
at the 'Conservatoire National de Région
de Lyon'. Moreover he has a formidable
reputation as one of the leading organists
in France today.
The playing here is
extremely fine throughout, his approach
to the Dupré is perhaps a little
hard-driven, or at least impulsive,
if compared to the great Ben van Oosten's
darker, more brooding reading for MDG
in Rouen. However it is always dramatic,
exciting, perhaps more lyrical in the
second movement and admirably unifying.
The unstable violence of Le Monde
dans l'attend is especially vivid.
His Duruflé is similarly no-nonsense,
with an extremely fiery Toccata,
but it is in his poetic and highly sensitive
transcription and performance of the
Fauré that his musicality
reaches its highest level. His use of
the organ and sense of harmonic structure
especially make the music sound so naturally
as if it were originally written for
the organ; no mean feat.
Additionally, Robilliard's
decision to split the programme between
the softer, colourful Lyon organ, and
the later (1888), altogether more hot-blooded
Toulouse Cavaillé-Coll (generally
regarded to have lost some of its character
in the controversial 1996 restoration
by Boisseau/Cattiaux, however Robilliard's
description of it as "as radiant as
the afternoon sun" is still very appropriate)
is inspired. The Fauré and Duruflé
Sicilienne are recorded on the
former organ, the remainder on the latter.
The sublime contrast between the two
organs, and they way they enhance the
specific pieces chosen for them, is
a powerful testament to Robilliard's
insight.
I find both organs
too closely recorded, which is a shame.
On the plus side though, the booklet
contains several interesting photographs
and the sort of programme notes from
the performer that we all wish we could
write. Don't miss this one, it really
is fantastic.
Chris Bragg