For his first solo recording, Kilström chose a number of recent 
                    works by living Swedish composers - all in their fifties at 
                    the time of writing. The music forms part of his repertoire 
                    and for which he obviously has a close affinity. 
                    
Johan Hammerth 
                      is the only composer here whose name and music are new to 
                      me. I welcome this fine opportunity to make contact with 
                      his idiomatic piano music. I note that he was trained as 
                      a pianist and a composer. He composed a set of 24 preludes 
                      between 1999 and 2000, each of them exploring a different 
                      musical and emotional world, although – judging by the two 
                      preludes heard here – his approach to piano writing is remarkably 
                      consistent.
                    Lindborg’s Runs 
                      and Resonances perfectly lives up to what its title 
                      implies. In the main it consists of short animated sections 
                      of varied character mostly ending on a resounding chord, 
                      be it soft or loud.
                    Lindgren already 
                      has a sizeable and hugely varied output. An all-Lindgren 
                      disc [Phono Suecia PSCD 21] including the magnificent orchestral 
                      piece Fragments of a Circle as well as the 
                      highly entertaining Guggi-Guggi for trombone 
                      and tape bears ample proof of Lindgren’s wide-ranging concerns. 
                      His substantial piano piece Winding Threads 
                      is in effect an idiomatic and beautifully made study in 
                      two-part counterpoint. It is rather demanding, though ultimately 
                      rewarding; a trifle too long for its own good.
                    Anders Nilsson’s 
                      music also features on an all-Nilsson disc (Phono Suecia 
                      PSCD 53) including his superb Organ Concerto (1987/8). His 
                      beautifully impressionistic Les Cloches de la Nuit 
                      inspired by a stay at the well-known Mont Saint Michel in 
                      France is a most welcome addition to his discography. It 
                      is a really fine piece that clearly deserves wider exposure.
                    Rolf Martinsson 
                      has composed a cycle of twelve piano pieces freely inspired 
                      by the Signs of the Zodiac. Three of these are recorded 
                      here. The composer describes his Zodiac pieces as written 
                      improvisations. For all their variety, the three pieces 
                      recorded here make one eager to hear the complete cycle 
                      some day. An all-Martinsson disc including the beautiful 
                      Kalliope Op.66 for strings and the Kurosawa-inspired 
                      orchestral work Dreams Op.35 is available 
                      from Daphne [Daphne 1022].
                    Kilström is 
                      a formidable pianist and a very fine musician from whom 
                      I definitely look forward to hearing more soon. This debut 
                      recording of his is much more than a brilliantly recorded 
                      curriculum vitae. It is first and foremost a splendid 
                      collection of fine, idiomatically written recent Swedish 
                      piano pieces. All merit much more than the occasional hearing..
                    Hubert 
                      Culot