The main problem with 
                this Dunelm disc of songs and poems 
                from the Great War is the sound. The 
                disc has been compiled from two live 
                recordings and, regrettably, this shows 
                rather badly although apart from some 
                clearing of throat before the first 
                piece, the audience are remarkably well-behaved. 
                The sound, however, is terribly muffled 
                and unclear, although this is not surprising 
                when one reads that most of the tracks 
                were recorded on cassette tape and mini-disc 
                and then transferred! 
              
 
              
The opening unison 
                song I want to go home is beleaguered 
                by the problems that face church hymns 
                countrywide: audience dragging behind, 
                audience occasionally out of tune, ladies 
                who clearly fancy themselves as sopranos 
                warbling out above their fellow members 
                of the audience and such like. 
              
 
              
Jeremy Huw Williams 
                sings the solo tracks on the disc, and 
                does so extremely well. As a general 
                rule, the Gurney songs are invested 
                with the right kind of emotion – passion 
                bubbling just under the surface, but 
                never over the top. His voice is a pleasant 
                one, rich, deep and sophisticated, and 
                he captures the spirit of the songs 
                very well in his emphases and word-painting. 
              
 
              
My only quibbles with 
                the Gurney set relate to In Flanders. 
                He does not bring enough restraint and 
                control to the song (such as the "rain" 
                of "sun or rain"). More use 
                should have been made of the dramatic 
                pause, and the result is not as effective 
                or as powerful as it should be. This 
                is one of those songs that has the power 
                to strike the listener right through 
                the heart, choke them with freezing 
                emotion in the very first few lines 
                – but here it is devoid of the capacity 
                to move, which is a great pity. 
              
 
              
The Geraint Lewis songs 
                are very good if a little derivative 
                – very traditional in sound, they seem 
                to shy away from any hint of modernity. 
                A little more of the piano wouldn’t 
                go amiss – the balance is very much 
                biased towards the singer. The new songs 
                from the English Poetry and Song Society 
                competition are fairly impressive and 
                bode well for the future of English 
                solo song, I felt. Geoffrey Kimpton’s 
                Winter Warfare is quite innovative 
                especially in the piano accompaniment, 
                and John Williamson’s Before the 
                Battle and I stood with the Dead 
                are effective and powerful. Duncan Reid’s 
                I did not Lose my Heart combines 
                a traditional sound-world with the very 
                occasional twist in the piano, which 
                works well, and Attack by Dennis 
                Wickens is most atmospheric. Both the 
                Margaret Wegener and Hugh-Jones songs 
                are also good. The high standard of 
                singing brings out the best in all of 
                these pieces. 
              
 
              
Unfortunately, the 
                beautiful John Ireland songs that follow 
                are even worse in terms of sound quality. 
                These were recorded "live" 
                on cassette tape in 1993 and the sound 
                detracts significantly from the performance 
                – all these songs are expertly performed 
                by Jeremy Huw Williams, full of vivacity 
                and soul. The disc concludes with another 
                unison song – Kern’s They Didn’t 
                Believe Me, which is dogged by the 
                same rather foreseeable problems as 
                the first track. 
              
 
              
The main faults I can 
                find are ones that have been either 
                created or exacerbated by the venue 
                and recording – the words are not terribly 
                clear as a result of the muffled sound, 
                and in places Huw Williams seems to 
                be producing far too much vibrato – 
                a factor that is probably exaggerated 
                by the acoustic. 
              
 
              
I would have no hesitation 
                in recommending this disc were it better 
                produced – if the sound was half-decent, 
                and the sleeve-notes and back more professional 
                and less like a good home-production 
                - see, for example, the reference to 
                ‘Carl Mielsen’s’ (who’s he?) Third 
                Symphony in the sleeve-notes. It 
                is otherwise a beautifully programmed 
                and extremely well performed disc, with 
                some excellent singing and accomplished 
                and sympathetic accompaniment from Nigel 
                Foster. 
              
Em Marshall