MusicWeb International One of the most grown-up review sites around 2023
Approaching 60,000 reviews
and more.. and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             

 

Johann Nepomuk HUMMEL (1778-1837)
String Quartet in C major, Op. 30 No. 1 (1804) [25.19]
String Quartet No. 2 in G major, Op. 30 No. 2 (1804) [25.24)
String Quartet in E flat major, Op. 30 No. 3 (1804) [26.54]
Delmé String Quartet
Rec 9-11 September 1991
HYPERION HELIOS CDH55166 [78.01]

Error processing SSI file


Hummel is one of those composers whose fame was much more during his own lifetime than it has been subsequently, although he has never subsided into obscurity. As a boy he was something of a prodigy, living with Mozart in Vienna and studying the piano with him for three years from 1785. The master must have been sympathetic to a child prodigy, having been one himself. He created the opportunity for Hummel to make his Vienna debut in one of his subscription concerts in 1787. Hummel went on to tour Europe as a child prodigy pianist, and in later life put his experience to good use by writing a famous piano teaching method. He was also a leading figure in the development of international music publishing. It was claimed that he knew all the most famous people in musical Europe. For example, he was a pall-bearer at Beethoven’s funeral.

The three string quartets, Hummel’s only such compositions, were composed around 1804. They adopt classical principles and formulae, and their natures are evidenced by the remarkable similarities in their performing times. As such they make for a generously filled CD: nearly 80 minutes of urbane, sophisticated chamber music.

These feelings are as much encouraged by the sensitive performances of the Delmé, as by the warmly sensitive Hyperion recording which in this reissue sounds better than ever. Perhaps the finest of the three, if one must make such a recommendation, is No. 1, which shows a fine awareness of Beethoven’s Opus 18 quartets as it does of Haydn’s later masterpieces in the genre. The part writing, for example, is wonderfully effective, and gains from the unanimity of ensemble and phrasing from these experienced players.

Of course Hummel is neither Haydn nor Beethoven. Awareness of mastery does not mean equal mastery. Even so, the music is worthy of the highest company and of the highest recommendation. As an example, the urbane fugal textures of the minuet of Quartet No. 2 shows a reverence and understanding of Haydn, and a personality of its own too. For there are abundant imaginative touches to go with the technical understanding. All these things are experienced to excellent effect thanks to the advocacy of the Delmé Quartet and the suitability of the Hyperion recording. All in all, an enthusiastic recommendation for some fine performances of worthwhile music.

Terry Barfoot
 



Gerard Hoffnung CDs

Advertising on
Musicweb



Donate and get a free CD

 

New Releases

Naxos Classical


Nimbus Podcast


Obtain 10% discount


Special offer 50% off

Musicweb sells the following labels
Acte Préalable
(THE Polish label)
Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off


Follow us on Twitter

Subscribe to our free weekly review listing
sample

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Senior Editor
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
Editor in Chief
   Vacant
MusicWeb Webmaster
   David Barker
MusicWeb Founder
   Len Mullenger


Return to Index

Error processing SSI file