There are now competing 
                versions of Klughardt’s orchestral suite 
                Auf der Wanderschaft. On Sterling 
                CDS-1054-2 
                it’s coupled with the Konzert-Ouverture 
                Op. 45 (1884), the Konzerstück 
                for Oboe and orchestra Op. 18 (1870) 
                and the Cello Concerto in A minor Op. 
                59. All are worth getting to know though 
                none is an undiscovered masterpiece. 
                Those recordings were made between 1975-80 
                and still sound acceptable though not 
                quite as warm as this recent Antes CD, 
                which couples Klughardt’s suite with 
                Schubert’s Third Symphony. 
              
 
              
Originally written 
                for piano, and premiered by the composer 
                in 1895 to great acclaim, the suite 
                was orchestrated in 1897. A six-movement 
                work, strong on verdant forestry, it 
                has sipped deeply from the Pastoral 
                Symphony and from Schumann and the 
                result is a pleasurable and well-orchestrated 
                example of craftsmanship and melodiousness. 
                The opening movement is genial and rather 
                explicitly Schumannesque and the second, 
                which describes a brook, is animated 
                by constantly running semi-quavers and 
                hints of Smetana. The birdcalls and 
                forest life of An der Klause 
                also contain brief Wagnerian moments 
                (not inappropriately – though not suggestively) 
                and fine lyricism. Klughardt was a generous 
                melodist and this is unfailingly attractive 
                music, even if the cuckoo and hunting 
                motifs and the gruff presentation of 
                the Chase are a mite generic. There’s 
                a Viennese waltz for the fifth movement 
                and in the sixth a recapitulation of 
                melodies and motifs – warm, mellow and 
                at an axis of Beethovenian and Schumannesque. 
              
 
              
The coupling is in 
                one sense disappointing – not the playing 
                which is attractive enough though lacking 
                in lyrical heft and a certain amount 
                of zest – but because we don’t get more 
                Klughardt. It makes recommendations 
                difficult. I prefer Antes’ sound but 
                the Sterling is obviously a better bet 
                for admirers of the composer. 
              
 
              
Jonathan Woolf