As a virtuoso pianist 
                Franz Liszt toured Europe extensively 
                from Dublin to St. Petersburg and from 
                Seville to Istanbul; turning down offers 
                of trips to the USA. From these expansive 
                travels between 1836 to 1877 Liszt drew 
                inspiration for his epic cycle of tone-pictures 
                in three ‘books’ (also known as ‘years’ 
                or ‘sets’) entitled ‘Years of Pilgrimage’. 
              
 
              
The first book of the 
                Années de Pélerinage, 
                completed between 1835 and 1836, 
                was inspired by travels in Switzerland. 
                The second book, written between 1838 
                and 1839, is the Italian set. The third 
                book, from 1867 to 1877, consists of 
                random works first published separately. 
              
 
              
Soloist Stephanie McCallum 
                is Australian-born and studied in England 
                as well as in her home country. She 
                is building an impressive mix of recordings 
                of nineteenth century composers such 
                as Alkan and Liszt together with those 
                of contemporary figures such as Boulez 
                and Xenakis. This is not white-hot or 
                dazzling pianism but principally a fine 
                recital from a talented soloist bringing 
                out the many and varying contrasts from 
                expressive intensity to intimacy and 
                serenity. 
              
 
              
From the calm and crispness 
                of the Swiss valleys in the first book 
                McCallum shows a fine understanding 
                of the emotional temperature of the 
                substantial and complex work Vallée 
                d'Obermann (The valley of Obermann). 
                Undoubtedly the most imposing work 
                in the whole of the Années 
                de Pélerinage is the Après 
                une lecture du Dante. Fantasia quasi 
                sonata. From the second book, full 
                of the sun-drenched atmosphere of Italy, 
                I just love the way the soloist expertly 
                harnesses the full power and range of 
                Liszt’s keyboard with ardour and commitment. 
                In the final work of the recital McCallum 
                brings a marvellous sense of rhythm 
                and phrasing together with brilliant 
                and spirited playing in the Tarantella 
                from Venezia e Napoli.  
              
 
              
McCallum’s recital 
                is a disciplined blend of heart and 
                mind. On this showing I look forward 
                to hearing more from this gifted soloist 
                who must be one of the finest pianists 
                in the Southern hemisphere. A glowing 
                Liszt recital expertly recorded. I will 
                return to this release very soon. 
              
Michael Cookson