The resurgent of British 
                Light Music in recent years has encouraged 
                a spate of recordings, to which these 
                performances by the Royal Philharmonic 
                Orchestra with Barry Wordsworth make 
                a worthwhile addition. 
              
 
              
The recording, produced 
                by Andrew Keener in London’s Henry Wood 
                Hall, is warm and sympathetic, nor does 
                it lack impact when required. And the 
                production standards are particularly 
                high, with a well planned booklet containing 
                exemplary notes by George Hall. 
              
 
              
The music is rather 
                less even than these accolades might 
                suggest, and those wanting a single 
                disc of this fare might turn instead 
                to Ronald Corp and the New London Orchestra 
                on Hyperion. There are highlights, to 
                be sure, including the pieces by Elgar 
                and Arnold as one would expect; but 
                besides these Hubert Bath’s Cornish 
                Rhapsody and Arthur Wood’s Barwick 
                Green – the latter the theme tune 
                from The Archers (this might 
                well mean something to our UK readers) 
                – are banal, to say the least. 
              
 
              
Eric Coates gains two 
                fine performances of his spirited marches, 
                some of the best since Elgar and not 
                heard as often in our concert halls 
                as they should be. By the Sleepy 
                Lagoon, the now famous signature 
                tune from ‘Desert Island Discs’, is 
                given a rather prosaic performance, 
                lacking the additional woodwind counterpoints 
                that bring added interest. However, 
                set against that is the splendid richness 
                of the RPO’s string tone, a real bonus 
                throughout the disc. 
              
 
              
Although Wordsworth’s 
                performance of Charles Williams’s The 
                Devil’s Galop does not quite match 
                the intensity generated by Corp on his 
                disc, the other pieces by this talented 
                composer – Heart O’ London and 
                Rhythm on rails – add an extra 
                distinction to this Warner Classics 
                issue. In fact the disc makes something 
                of a feature of music inspired by railways, 
                with Edward White’s marvellous Puffing 
                Billy and Vivian Ellis’s equally 
                inspired Coronation Scot. 
              
 
              
While this may not 
                class as a first choice in this increasingly 
                competitive market, there are some appealing 
                features about this disc, and anyone 
                buying it is unlikely to be disappointed. 
              
Terry Barfoot