Marin Alsop and the 
                Royal Scottish National Orchestra continue 
                their highly successful Barber series 
                with this interesting programme of shorter 
                works. 
               
              
The excellence of enterprise 
                is established by the opening item: 
                Knoxville. This recollection of childhood 
                innocence is among Barber’s most captivating 
                and enchanting compositions, and the 
                partnership of these musicians captures 
                the tone admirably, The recording too 
                is particularly fine, from Henry Wood 
                Hall in Glasgow. Karina Gauvin is deserving 
                of special praise, moreover, for her 
                combination of faultless, warm timbre 
                and tightly articulated rhythmic control. 
                A rare combination, perfectly suited 
                to this music. 
              
 
              
The two Essays for 
                orchestra bring other features of the 
                composer to the fore. Both pieces are 
                strongly crafted, and Marin Alsop sees 
                this as her priority in performing them. 
                Accordingly one senses an overview of 
                direction rather than an indulgence 
                of phrasing in the shorter term. Maybe 
                this is why the Second Essay seems a 
                finer work than the Third; maybe it 
                is true of the music itself. 
              
 
              
The final item, the 
                appropriately titled Toccata Festiva, 
                was recorded in the ample acoustic of 
                Paisley Abbey, where Thomas Trotter 
                could add the richness and weight of 
                organ tone. The drawback is that the 
                acoustic has less definition and impact 
                than that of Henry Wood Hall, and some 
                of the brilliance of the organ part 
                is probably lost. Be that as it may, 
                the results are still impressive, and 
                this is undoubtedly an excellent addition 
                to an already distinguished collection 
                of Barber performances. 
              
Terry Barfoot 
                 
              
see also review 
                by Rob Barnett