This is the second 
                of two Alba CDs to come my way recently. 
                The Tuukkanen disc presents music that 
                takes us into Madetoja-Wirén 
                territory. Pohjola’s music is contemporary 
                with linkages to Nyman and Shchedrin. 
                Wild pell-mell eerie hunts alternate 
                with the reflective and the discursive. 
                Rhythmic material is precious to Pohjola. 
                An example of the interplay between 
                patterning and melody can be heard at 
                12.00 onwards in the String Quartet 
                where the composer has clearly been 
                influenced by the Ravel quartet. The 
                work ends in this pattering and whispering 
                rustle. 
              
 
              
New York New 
                York (piano quartet) won the 
                Uussävel competition at the Kuhmo 
                Chamber Music Festival in 2002. It is 
                a work Pohjola had rewritten when he 
                received the news of the destruction 
                of the World Trade Center. Its searchingly 
                poignant music shares a certain stillness 
                with the Arvo Pärt Cantus, 
                the piano music of Urmis Sisask and 
                Schnittke's Spiegel im Spiegel. 
                The angry Bartókian stony hammering 
                of the central episode provides contrast. 
              
 
              
Game Over (fl, 
                cl, perc, pf, vn, va, vc) is from five 
                years previously. The chatter of woodwind 
                and percussion brings to mind the birdcall 
                patterns of Rautavaara's Cantus Arcticus 
                mixed with the moving mosaic of 
                L'Enfant et les Sortilèges. 
              
 
              
A Night 
                at the Opera (soprano and string 
                quartet) is a strange work in three 
                sections. At first it has the soprano 
                singing warming-up syllables like those 
                in Bliss's Rout and Rhapsody. 
                The piece is about love from besotted 
                to pained to anger in betrayal. If you 
                like Bliss’s The Enchantress 
                perhaps with a more modernistic edge 
                then you will like this. 
              
 
              
Liebelei is 
                said, by note writer Osmo Tapio Räihälä, to 
                reflect Pohjola's passion for the cinema. 
                The title is the same as that of the 
                film by Max Ophuls. The music is laid 
                out for wind septet, piano and string 
                quintet. This chatters along, determined 
                and busy, and then relents in some probingly 
                elegiac writing. 
              
 
              
Pohjola is of the same 
                family as Erkki Pohjola, founder of 
                the Tapiola Choir. Sakari Oramo, the 
                conductor of the CBSO, is his cousin. 
              
 
              
This is an extremely 
                promising first disc. 
              
Rob Barnett