Notable for the recently 
                composed Variations, conducted by Robert 
                Craft, this May 1965 concert also includes 
                a moving Symphony of Psalms led by the 
                composer and two extracts from the Firebird. 
                Accord’s notes, as is consonant with 
                this series of Archive recordings from 
                the Warsaw Philharmonic, don’t delve 
                into matters relating to the actual 
                concert. I would certainly like to know 
                what else was performed that night – 
                because here we only get thirty-seven 
                minutes. Was The Firebird complete? 
              
 
              
There is fortunately 
                and appropriately great clarity of sound 
                and the tapes have seemingly suffered 
                little or no deterioration. The orchestra 
                sounds well drilled and the Philharmonic 
                Choir cope well, though not impeccably, 
                with the demands in the Symphony – there 
                is sometimes a muddiness in texture 
                and balance that jars. The orchestral 
                principals acquit themselves with distinction 
                in the Variations, and the bass clarinet 
                makes a notable contribution; wind chording 
                is precise. The Symphony performance 
                stresses its lyricism, not least in 
                Laudate Dominum, but as ever Stravinsky’s 
                rhythm is taut and vital and it emerges 
                strengthened as a result. The woodwinds’ 
                activity in the final movement is an 
                indication of their commitment and the 
                final choral Alleluias are increasingly 
                convincing and cumulatively moving. 
                The greater clarity and forward characterisation 
                of Stravinsky’s CBC recording can hardly 
                be denied but this is a welcome expansion 
                of Stravinsky’s concert discography. 
              
 
              
Jonathan Woolf