This Spanish disc rescues 
                from vinyl oblivion a major Spanish 
                Columbia recording dating from 1977. 
                The Catalan composer Ruera had been 
                drawn to Greek culture since the 1930s. 
              
 
              
As early as the 1936 
                ISCM he had a premiere of a three movement 
                work Empuries. That was 
                for 'big band'. Some of the Barcelona 
                nightclub slickness of that time still 
                shows through in the movement Danca 
                en cercle. In 1977 he brought the 
                work to completion in the version we 
                hear now as four symphonic poems for 
                orchestra. It is quite filmic - rather 
                like a concerto for orchestra with various 
                voices jostling for attention including 
                Bartók and Ravel. The end of 
                the third movement suggests a Delius-Tchaikovsky 
                hybrid. The music is unashamedly definitely 
                tonal (almost filmic on occasion) but 
                without much in the way of development; 
                plenty of spectacle and atmosphere to 
                compensate. 
              
 
              
The string quartet 
                Ambients is in four movements 
                Presentation, Danca popular, 
                The Chapel in the Monastery and 
                finally Esplai camperol. Its 
                main forebear is Ravel with a patina 
                of archaic feeling especially in the 
                subdued third movement. The popular 
                dance movement and parts of 
                the finale recall the ‘dumky’ style 
                of Dvořák and the dance sections 
                of the Bax String Quartet No. 1. Only 
                in the last movement does the composer's 
                invention and treatment wear thin. Otherwise 
                this is very attractive writing and 
                with a performance to match. 
                The lovingly rounded Meditation 
                (also for clarinet) is said 
                by the composer to ‘reflect some moments 
                of a period in my life’. On this evidence 
                those moments were idyllically joyous. 
                Some meditations lean towards the lugubrious. 
                This one banishes that element; Ruera 
                must surely have been remembering a 
                very happy time. 
              
 
              
Columna Musica have 
                now put Ruera on the map. He is of that 
                generation swept aside by the 'false 
                gods' of serialism and atonality. In 
                other times, listening to this music 
                might have been a guilty pleasure. No 
                longer. While Ruera is on this showing 
                no symphonist he is a most fastidious 
                and resourceful melodist and orchestrator 
                whose music will be well appreciated 
                in today's more accommodating climate. 
              
Rob Barnett