2023 Approaching 60,000 reviews and more.. and still writing ...	Search MusicWeb Here

Searching Musicweb Monthly index Recordings of the Year Label index Masterwork index Series index Search engines Review Archive Classical Downloads Jazz Concerts Nostalgia Books Film music Resources Composer pages Tony Duggan's Mahler National Discographies Mark Morris's Guide to C20th Composers Ralph Moore's Surveys Online books Piano Trio Survey Cello Concerto Project Pot Pourri - Early MusicWeb Gerard Hoffnung Arthur Butterworth's columns Philip Scowcroft's British light music Interviews Programme notes MusicWeb Listening Studio Talking about Books Other material Articles Seen & Heard Message Board About Musicweb About Musicweb Contact Musicweb Contributors What they say about us Visitor stats Site Map

Founder: Len Mullenger (1942-2025)                          Editor in Chief:John Quinn

BUY NOW  Crotchet   AmazonUK   AmazonUS

Charles GOUNOD (1818-1893) Faust. Opera in Five Acts Faust, Raoul Jobin (ten); Méphistophélès, Ezio Pinza (bass); Valentin, Martial Singer (bar); Marguerite, Licia Albanese (sop); Siébel, Lucielle Browning (sop); Marthe, Thelma Votipka (m.sop); Wagner, John Baker (bar) Chorus and Orchestra of the Metropolitan Opera, New York/Sir Thomas Beecham Private recording made for Raoul Jobin of the ‘Met’ tour broadcast, from Boston, on 15th April 1944. Issued by arrangement with ‘The National Library of Canada, to whom Jobin bequeathed the master acetates Bargain Price GUILD HISTORICAL IMMORTAL PERFORMANCE SERIES GHCD 2258-59 [2CDs: 75.35+74.41]

Given access to the master acetates, restorer Richard Caniell found a number of problems. As is his practice in this series, he has interpolated short extracts from other broadcasts involving the same performers. This gives a sonically acceptable version, one or two pitch variations apart (CD2. tr.8). The value of the enterprise mainly rests on two great strengths, Beecham and Pinza. The conductor’s lightness of touch, and thoroughgoing grasp of the score, merely underlines what is lacking in several more modern recordings. Pinza is by turns vocally suave, sardonic and appropriately saturnine. His ‘serenade’ (CD 2. tr. 11) exhibits all these facets in an altogether superb characterization. Raoul Jobin as Faust is more tasteful than on some of his recordings but sounds rather middle-aged and is a little strained by the high note in ‘Salut! demeure’ (CD 1. tr. 21). Elsewhere he exhibits some elegance of phrase. As his ladylove, Marguerite, Licia Albanese is somewhat overly matronly but sings throughout with steady tone, smooth legato and in the ‘King of Thulé’ and ‘Jewel Song’ (CD 1. trs. 14-15) a secure trill. The Valentin of Martial Singher has no great vocal beauty or strength of characterization. This is strange since he was French-born and the biographical note claims him to be ‘revered for his lieder recitals’. Certainly his diction, and that of the other principals, is good and the French is idiomatic throughout. The chorus sings with enthusiasm and the minor parts are adequate. As indicated the sound is acceptable if not particularly atmospheric or immediate being rather lacking in forward presence. However, that is to carp. The issue makes it possible to admire Pinza and Beecham and that opportunity alone is worth the price. Robert J Farr Error processing SSI file

Return to Index

Error processing SSI file