I’ve recently been 
                sent three Telarc reissues for review, 
                all conducted by Yoel Levi - this excellent 
                Sibelius 2; an enjoyable Mussorgsky 
                collection, including Ravel’s orchestration 
                of Pictures at an Exhibition 
                (CD-80296); 
                and a superb Mahler 6 (CD-80444). 
                Following hard on the heals of Peter 
                Hill’s listing, on BBC Radio 3’s ‘Record 
                Review’, of Levi’s Sacre du printemps 
                as the No 1 recording (CD-80266) 
                of Stravinsky’s premier league test-piece 
                it’s good to be reminded of Levi’s impressive 
                credentials and achievements. 
              
 
              
Dating from the early 
                digital era, this disc was recorded 
                with the Cleveland Orchestra, before 
                Levi took up his post in Atlanta. But 
                you’d never know, such is the maturity 
                of the music-making; and the warmth, 
                clarity and weight of the recording. 
                I use the word ‘maturity’ here advisedly, 
                because you’d never guess that a young 
                man was at the helm. Everything is impeccably 
                judged, and nothing is overstated. In 
                the finale in particular, he avoids 
                any suggestion of excess or vulgarity. 
                And yet only those accustomed to top-gear 
                performances could possibly be disappointed. 
              
 
              
The recording is admirably 
                faithful. No wonder Telarc’s early CDs 
                quickly acquired a reputation for genuinely 
                high fidelity. The strings in the opening 
                bars have a lovely, velvety tone, whereas 
                the woodwinds’ chattering phrases have 
                a crystalline clarity and the sense 
                of front-to-rear perspective heightens 
                the contrasts in Sibelius’ material. 
                In the haunting second movement, the 
                multi-dimensional nature of the recording 
                illuminates the scoring of the walking 
                bass (shared between cellos and double-basses) 
                beautifully. To crown it all, the closing 
                pages have a tremendous depth and weight. 
                In terms of sound, this is second to 
                none in the catalogue. 
              
 
              
Levi is one of that 
                rare breed of artists who give you what 
                the composer wrote, without any intrusive 
                ‘interpretation’. This is a performance 
                to live with - a disc of the Second 
                Symphony, not the Second Symphony seen 
                through the eyes of X, Y or Z. What 
                a pity about the coupling, though. Competitors 
                generally offer you another symphony, 
                and (on a reissue of a 20-year-old performance!) 
                that is what we ought to have here. 
                ‘Beginners’ wanting to build a Sibelius 
                collection need look no further than 
                the legendary Ashkenazy-Philharmonia 
                performances on 
                Decca - a matchless bargain. But 
                do try to hear Levi too! 
              
Peter J Lawson 
                 
              
see also review 
                by Rob Barnett