The Swedish classical 
                recording company, Sterling was borne 
                of Bo Hyttner’s passion for romantic 
                era music. He garnered a major archive 
                of tapes of symphonies, concertos and 
                overtures. All of this was happening 
                while he was running his record shop. 
                It finally came to the point where the 
                record shop had to go and where the 
                recording of Romantic music became both 
                the endeavour and the prize. At this 
                point the world began to benefit from 
                a veritable stream of recordings of 
                rare romantic pieces. 
              
 
              
Halm was born in the 
                home city of the orchestra who with 
                the Swedish born Per Borin have now 
                championed this symphony onto compact 
                disc. His is not a household name - 
                not even in households with strong convictions 
                about the romantic repertoire. He is 
                so obscure that he does not even rate 
                an entry in my 1950 Grove V. Perhaps 
                things have improved for the New Grove. 
              
 
              
To get some background, 
                independent of the typically full liner-note 
                by Lee Rothfarb, I went to the 1926 
                ‘Dictionary of Modern Music and Musicians’. 
                There Halm is mainly credited as an 
                author. He was born at Gross-Altdorf, 
                Württemberg. He began as a theological 
                student at the University of Tübingen. 
                Then he moved to Munich where his teachers 
                included Bruckner and Rheinberger. He 
                held various teaching posts at Haubinda 
                and Wickersdorf before becoming director 
                of the men’s choral society at Ulm. 
                His writings included various academic 
                tomes, a book on Bach’s concerto form 
                and another on Bruckner’s symphonies 
                (Munich, 1912). Among the compositions 
                there are five string quartets, three 
                serenades for string trio, three sonatas 
                for solo violin, two sonatas for violin 
                and piano, a piano concerto and a symphony 
                for string orchestra. In addition to 
                the A major symphony there is also another 
                for full orchestra this time in F major. 
              
 
              
August Halm’s Symphony 
                is right on message. It is thoroughly 
                romantic, soaked in pastoral grandiloquence, 
                birdsong, charming visions and gentle 
                imagery. Halm takes a stance that is 
                both reactionary and backward looking 
                ... and the none the worse for that. 
                The works to which his symphony is intermittently 
                related include: Brahms 3 and 4, 
                Beethoven’s Pastoral, Bruckner 4, Schubert’s 
                Ninth, Grieg’s Gynt music, Dvořák 
                5 and 6, Schumann 2 and 3, Karl Goldmark’s 
                Rustic Wedding and Smetana’s Festive 
                and Ma Vlast. The glittering prize among 
                the movements is the lovely adagio. 
                This takes a dowdy theme from 
                the first movement and develops it swan-like 
                into something intensely and swooningly 
                romantic. The result is caught creatively 
                between Tchaikovsky, Mahler (Adagietto), 
                Rachmaninov and John Barry. The Württembergische 
                Philharmonie Reutlingen produce a warm 
                strength from their massed strings but 
                are far from infallible and in the finale 
                Rondo there are some rough moments. 
                Against that you can set some lovingly 
                shaped woodwind writing especially in 
                the first movement and in general a 
                highly accomplished approach. There 
                are several extremely memorable moments 
                including the point in the finale (8:40) 
                where the horns and trombones are called 
                on to yawp like a chorus of ursine malcontents. 
                Truth to tell the finale meanders, creaks 
                and groans more than a little but there 
                are plenty of engaging events along 
                the road. The piece ends not wholly 
                convincingly with a snatched Brucknerian 
                gesture of defiance. 
              
 
              
This is the latest 
                disc in Sterling’s ‘Deutsche Romantiker’ 
                series; the seventh to be released. 
              
 
              
Halm is no major discovery 
                but his gift for pleasing pastoral invention 
                is entertaining and if grand profundity 
                is not really in evidence there is still 
                much here to enjoy. 
              
Rob Barnett 
                
                EARLIER VOLUMES IN THE STERLING ‘DEUTSCHER 
                ROMANTIKER’ SERIES - reviewed at Classical 
                Music on the Web
                
                Vol.1: Richard 
                WETZ Symphony No. 3 Berlin 
                SO/Erich Peter STERLING CDS 1041-2 
                
                Vol. 2: Norbert 
                BURGMÜLLER Symphony 
                No. 1 Hugo STAEHLE Symphony No. 1 Orchester 
                der Staatstheater Kassel/Marc Piollet 
                STERLING CDS-1046-2 
                
                Vol. 3: Paul 
                BÜTTNER Symphony 
                No. 4 (1917-19) Berlin Radio SO/ Gerhard 
                Pflüger (symphony) STERLING CDS-1048-2 
              
Vol. 
                4 Heinrich 
                SCHULZ-BEUTHEN (1838-1915) 
                Symphony No. 5 etc Moscow SO/Adriano 
                STERLING CDS-1049-2 
                
                Vol. 5 August 
                KLUGHARDT (1847-1902) Cello 
                Concerto in A minor etc STERLING 
                CDS-1054-2 [55.15] 
                
              
Vol. 6 Xaver 
                SCHARWENKA (1850-1924) Symphony 
                in C minor etc Gävle Symphony Orchestra/Christopher 
                Fifield STERLING CDS-1060-2