This is Volume two. 
                Suites 1 and 2 have already been issued 
                on this label, and I welcomed 
                them warmly when they arrived. I 
                am happy to repeat the welcome, now 
                that Volume 2 is available. This time 
                the playing time has been filled out 
                (although only slightly) by a further 
                orchestral suite thought to be written 
                by W.F. Bach (Friedeman 1710 - 1784). 
                These were issued before the period 
                performance brigade got under way in 
                earnest, and so, although there are 
                lively tempi and bright woodwind parts, 
                they are still with modern instruments, 
                recorded in a very clear ambient acoustic. 
              
 
              
Although the notes 
                are quite good, there is no information 
                about recording dates or location. However 
                some of the soloists are in fact mentioned. 
                Maurice André, Marcel Lagore 
                and Jacques Mas (trumpets) Pierre Pierlot 
                and Claude Maisonneuve in Suites 3 and 
                4, joined by Lucien Debray in Suite 
                No. 4 (oboes), and Paul Hongne, Suite 
                No. 4 (bassoon). 
              
 
              
This was originally 
                an Erato release, although first issued 
                in the U.K. on World Record Club. Any 
                recording of these works can be easily 
                ruined by slow and ponderous playing; 
                we certainly do not have that here. 
                They are full of life, and I enjoyed 
                them immensely. 
              
 
              
Suite No. 3 is written 
                for three trumpets, two oboes, drums, 
                strings and basso continuo. This one 
                contains the famous Air in G, played 
                completely straight and so much better 
                for that. It is in six movements, Overture, 
                Air, Gavotte I and II, Bourrée 
                and Gigue. Suite No. 4 is the festive 
                suite of the four and is written for 
                three trumpets, three oboes, two flutes, 
                drums, strings, bassoon continuo and 
                organ, although in this performance, 
                like most others, the organ is excluded. 
                This sequence of movements is Overture, 
                Bourrées I and II, Gavotte, Menuets 
                I and II followed by an exhilarating 
                Rejouissance. 
              
 
              
The spurious Suite, 
                now attributed to W, F Bach, was also 
                included on the World Record Club issue. 
                It is for strings alone, and it is immediately 
                apparent that the level of inspiration 
                is of a much lower level than the other 
                works on this disc. Still it is good 
                to have and the movements here are Overture, 
                Torneo, Aria, Menuet and Capriccio. 
                This is for strings alone. 
              
 
              
When the first disc 
                in this set was issued, I said that 
                I hoped that Apex would issue a second 
                volume to allow these performances to 
                be enjoyed in total. Well here it is 
                and Apex are to be congratulated. I 
                recommend this release wholeheartedly, 
                unless you are from the brigade who 
                insist on the full 80 odd minutes of 
                playing time. This second disc is not 
                so bad in this respect as the first 
                one contained only the first two suites. 
                At this price, you can’t go wrong. 
              
 
                John Phillips