Don Quixote, 
                the most famous work from the great 
                Spanish novelist Miguel Cervantes, has 
                inspired several musical compositions. 
                This Naxos double set contains the original 
                three act ballet, Don Quixote, 
                from the pen of composer Léon 
                Minkus. This work has remained a perennial 
                favourite of the ballet repertoire.
              
              Austrian-born Minkus 
                had a long and successful career spending 
                many years in Russia during much of 
                which he was engaged in writing ballets 
                for the Imperial Russian Court. As chief 
                ballet master of the Russian Imperial 
                Ballet the great French choreographer 
                Marius Petipa was instructed to produce 
                a major new work for the Bolshoi Theatre 
                in Moscow. Minkus collaborated with 
                Petipa and the work was premièred 
                in 1869. Minkus was commissioned in 
                1871 to write additional material with 
                the intention of expand the ballet along 
                more formal lines into five acts for 
                a more lavish production in St. Petersburg.
              
              Minkus, like all ballet 
                composers of his day, didn’t write his 
                ballet music for orchestral display. 
                Ballets then were choreography-led for 
                the purpose of showing-off the dancers, 
                adhering to the strict instructions 
                of time, tempo and the drama of the 
                scenes. It was only with the appearance 
                on the scene of composers such as Delibes 
                and Tchaikovsky that the symphonic resources 
                of the orchestra were directed into 
                original music for the dance. 
              
              I know that the Sofia 
                National Opera Orchestra has recorded 
                this ballet at least once previously 
                and their experience has served them 
                well. Under the direction of Bulgarian 
                conductor Nayden Todorov the orchestra 
                respond with characterful application 
                throughout, with warmth and a decent 
                amount of drama. There was a sense however 
                that conductor and orchestra were keeping 
                some energy in reserve. 
              
              The recorded sound 
                is more than acceptable and the concise 
                but interesting annotation is adequate. 
                A fairly enjoyable performance decently 
                recorded. I’m sure that ballet lovers 
                will want to own this recording. 
              Michael Cookson
              This recording was more enthusiastically 
                received by Patrick 
                Gary