The celebrated Ossipov Balalaika Orchestra, formed
as long ago as 1919, has already appeared recently on musicweb,
with a review of a Regis
reissue of an earlier album. This disc, from the Swiss label
Claves, sees it turning its hand to a series of varied orchestral
works, some composed originally for these forces, others arrangements
made by the conductor Nikolai Kalinin. Although some of the pieces
are pretty light in character, it is by no means the novelty disc
that the uninitiated might imagine. There is quite a wide range
of compositional styles on offer here, from the unashamedly romantic
(Gorodovskaya) through the epic/heroic twentieth century Russian
school music of Svetlanov to the spikier, more modern inspirations
of Shchedrin. That said it rarely plumbs the emotional depths achieved
by at least the Daetwyler pieces on the ostensibly even more improbable
Naxos Alphorn disc of last year.
The first three tracks are all quite short, with
Vera Gorodovskaya's lush Concert fantasy sandwiched between
the more folksy works by Kulikov and Khrennikov. The latter pieces
both feature melodies I am sure you will recognise, even if you
were previously unable to name them, and the entertainment factor
ranks highly here. Gorodovskaya was actually a member of this orchestra
in the 1940s and, like Kulikov's of 1955, her piece was conceived
for balalaika orchestra. Rodion Shchedrin is perhaps the best known
of the composer's featured here and his Chamber Suite of
1961 is more ambitious than what has gone before it. Originally
constructed for 20 violins, harp, accordion and two double basses,
it has translated well into this version. The Prelude starts
hauntingly, before developing into a romantic, if fairly spare melody,
hardly preparing us for the tense, agitated Intermezzo that
follows it. The Amoroso is at the heart of the piece and
sounds like it too, a beatific meditation for the balalaikas before
the Cadenza and Fugue makes its lurching, scurrying entrance,
recalling the spikiness of the Intermezzo. Stravinsky certainly
never seems far away in the faster sections of this suite! The Finale
revisits the Prelude and ends the work on a less frenetic
note. All in all, the Suite commands the attention throughout,
at the same time as adding some artistic muscle to the disc, while
never veering too far from the orchestra's underlying strengths.
Best of all is, I think, left until last. Evgeny
Svetlanov is most well known in the West as a conductor of some
prowess but here he shows his mastery of composition with the marvellous
Red Snowball. It begins in a rather low-key manner, with
melancholic accordion playing solo for nearly a minute and a half.
The balalaikas then enter with a yearning accompaniment. At four
and a half minutes in, the full orchestra kicks in, full of energetic
brass and string work, echoes of Tchaikovsky and Shostakovich now
running up against the accordion. This section is incredibly powerful
and later invokes the Dies Irae, before the tumult subsides
to leave the more intimate instruments centre stage again. The winds
then briefly introduce a folk setting which is soon taken up with
gusto by the balalaikas before quietude returns. From about eleven
minutes there is a more abstract/impressionistic section which could
almost have come from Tapiola in its evocation of the elements.
This fades away to be replaced by a quite threatening martial theme
with prominent timpani and strings leading us back into a moving
vocal finale, beautifully sung by Anna Litvinenko, announced briefly
by the return of the balalaikas. Despite its rather piecemeal approach,
this track distils the greatest emotions on the disc and as such
is perhaps the one I am most likely to give repeated hearings to.
This is not a disc I could listen to everyday but
I certainly found it an interesting and stimulating recording and
by no means as specialist as one might imagine. The performances
are superb and it is easy to understand the many plaudits (including
a Penguin Rosette) that the orchestra has received in the past.
Neil Horner
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Fantasy
on 'The Ancient Linden Tree'
Concert
Fantasy on the Waltz 'Autumn Dream'
Russian
Dance from 'Frol Skobejev' arr. Poponov
Chamber
Suite in Five Parts arr. Kalinin -
Prelude
Chamber
Suite in Five Parts arr. Kalinin -
Intermezzo
Chamber
Suite in Five Parts arr. Kalinin -
Amoroso
Chamber
Suite in Five Parts arr. Kalinin -
Cadenza and fugue
Chamber
Suite in Five Parts arr. Kalinin -
Finale
Poem
in memory of W.M. Schukschin arr. Kalinin
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