Evensong 
                is perhaps the most glorious service in the Anglican tradition, 
                and who better to sing it than the choir of King’s College, Cambridge. 
                For decades now this choir has remained practically unsurpassed 
                in consistent quality. In many ways they set the standard by which 
                every other Anglican choir is judged, and I believe rightly so. 
                In this all too brief video performance, we see and hear the Choir 
                of King’s sing some of the ‘greatest hits’ of Anglican Cathedral 
                music, and some rather unusual music for the vespers service. 
                 
              
 
              
Although 
                there is nothing about the performances on this disc that is anything 
                less than stellar, I felt, after watching, that I had been cheated 
                out of everything but dessert. First of all, Vespers and Evensong 
                are evening services, and we see King’s Chapel completely resplendent 
                in broad daylight, presumably so that the eye of the camera could 
                take advantage of the wonderful stained glass in its full glory. 
                Secondly, these are not services; rather we only get the choral 
                music from the services. How nice and interesting it would 
                have been to have actually heard the lessons and the hymns, seen 
                the stately processions, and have been made a part of all of the 
                glorious ritual that is Anglican worship. It was rather like being 
                dealt an opera highlights disc where all the text that truly advanced 
                the plot had been excised.  
              
 
              
The 
                camera work left a bit to be desired as well. For nearly an hour 
                we go in circles from one chorister to another, with a few good-looking 
                favorites making rather frequent appearances. And why could we 
                not have had a gander at the organist and his mighty console? 
                Instead, we see the pipes of the façade each time the organ 
                has a solo passage. It got a little predictable and monotonous. 
                 
              
 
              
But 
                what of the singing? Oh my! This is choral technique at its very 
                finest. There was perfect blend, impeccable enunciation, and complete 
                ensemble. Mr. Cleobury is a master of this style, and he has trained 
                his choir to operate as a finely tuned musical machine. There 
                is no lack of expression either. Each phrase is beautifully shaped; 
                each rise and fall of the musical line is measured out with loving 
                care. The boys sing with a pure sweetness that is never shrill, 
                and the adult male voices provide a substantial foundation while 
                never overpowering.  
              
 
              
The 
                repertoire is standard fare for any faithful Anglican, Dyson’s 
                evening service in D major being one of the staples of the choral 
                tradition. The outstanding work is the splendid Magnificat setting 
                by Sebastian de Vivanco. This is music of the most elegant construction, 
                superb and mellifluous counterpoint and magnificent harmony. The 
                work is given a stellar performance and is by far the highlight 
                of this film.  
              
 
              
Brilliant 
                Classics have become well known in the last few years for their 
                massive sets of very inexpensive CDs. On the whole, the reviews 
                have been favorable. However, production values here are a bit 
                skimped, especially since we get no notes on the music, and very 
                little information about the recording: no dates, no personnel 
                lists, etc. We do, thankfully, get a full set of texts, even for 
                the pieces in English, and this is a welcome plus.  
              
 
              
Doubtless 
                this series of DVDs comes at a very compact price, so there is 
                little to criticize about production, but one might also presume 
                that these, like other Brilliant sources, might be licensed. Surely 
                there is more information available to give to the buyer.  
              
 
              
Do 
                not, however, let these minor problems stop you from buying and 
                enjoying this splendid ‘hour’ of music. Highly recommended.  
              
 
              
Kevin 
                Sutton