With 
                the possible exception of J.S.Bach, Beethoven is probably the 
                most thoroughly explored of all major composers on record. So 
                what is this intriguing series up to? Today the lesser-known Beethoven 
                works tend to be early ones, but not these. All these are duos 
                for piano and violin, and the Sonata is described as being for 
                a piano with violin accompaniment, though it can confidently be 
                regarded as as a violin sonata. A substantial four-movement work, 
                classical in form, it was the last that Beethoven wrote for this 
                combination, and reveals the composer in genial and gentle mood. 
                Why Archduke Rudolf – Beethoven’s friend and patron – 
                is featured in a rather formal set of variations is something 
                of a mystery. It is a competent, if somewhat academic, work but 
                isn’t there plenty more Beethoven for this combination left to 
                explore?  
              
 
              
This 
                is a splendid start for what appears to be an ongoing project 
                for this ambitious new UK label from deepest Wiltshire. These 
                first-rate performers clearly love and deeply understand the music, 
                their rapport is impeccable and the insights they provide into 
                Beethoven’s mid-period style are fascinating. Peter Sheppard Skaerved’s 
                noble Strad serves the music proudly, and clearly benefits from 
                the support of a modern pianoforte rather than the fortepiano 
                that nowadays might be expected. The recording quality is admirable. 
                 
              
 
              
Beethoven 
                specialised in variations, where he could explore the sonorities 
                and textures of simple tunes with his characteristic inventiveness 
                and humour. The Rondo may be familiar in a version for solo piano, 
                though I am not sure whether the composer’s autograph confirms 
                this. Not all the piano variations are suitable recital material, 
                but the twelve Mozart ones on an aria from The Marriage of 
                Figaro as heard on this disc are a treasure.  
              
 
              
The 
                insert booklet is rambling and diffuse, but who cares; this is 
                a highly desirable addition to any Beethoven archive. Metier is 
                expanding its distribution network in Europe, Australia and the 
                USA. Details and catalogue are available on www.metierrecords.co.uk. 
                 
              
 
              
Roy 
                Brewer