One’s 
                first thought would be that this would be a first recording of 
                any of this music, but it turns out that on the contrary the Bach 
                Op 15 #5 has been popular and frequently heard on harpsichords 
                for some time now, since the original release of the Puyana/Galvez 
                recording on Mercury LP, and now available on CD. This may be 
                a first recording on pianos, although I think I recall one on 
                MHS LP some years ago.  
              
 
              
These 
                works by Wilhelm Friedrich Ernst Bach were long attributed to 
                J.C. Bach but the correct authorship has recently been established, 
                and this is definitely the first recording of this music under 
                the correct authorship, and the detailed notes are quite interesting 
                in this regard. W.F.E. Bach was the last male descendant of J.S. 
                Bach and his failure to have male children brought the dynasty, 
                for the continuity of which J.S. Bach had sacrificed so much and 
                so many, to an end.  
              
 
              
J. 
                C. Bach is unique in having published two Opus 18s The 
                other is a collection of Sinfonias or opera overtures and, as 
                luck would have it, one of those is one of his most popular and 
                frequently heard works, and, since there is no "JCBWV" 
                type of catalogue in general use, confusion is unavoidable.  
              
 
              
These 
                are modern pianos, but there is no inappropriate use of instrumental 
                colour, nor is there any awkward attempt to make them sound "authentic." 
                This is straightforward playing in the style of Murray Perahia’s 
                or Andras Schiff’s Bach-on-the-piano style. Although this release 
                has little of the excitement and wonder of the Puyana recording 
                of many years ago, it is nicely played and enjoyable. These artists 
                love the music and enjoy what they are doing, and their joy is 
                communicated effectively. The back and forth interplay between 
                the two instruments requires good stereo separation and that is 
                nicely done in this release. But I think most people will prefer 
                the harpsichord performances because the rhythmic complexity is 
                more clearly revealed.  
              
 
              
Paul 
                Shoemaker