The Cypress String Quartet, a group of four young players, 
          has been together since 1996 and is based in San Francisco. The programme 
          released here on their eponymous label is somewhat eclectic for a CD 
          where, all too often the intention seems to be to produce programmes 
          that "fit" together round a theme or a link between composers. 
          I doubt there’s any link between the three works assembled here (and 
          thank goodness no attempt is made to manufacture such a link) but the 
          programme works well because the chosen pieces differ without clashing 
          with each other. Undoubtedly, the programme also works because it is 
          well executed. In fact, on the evidence of this CD I’d say that the 
          members of the Cypress enjoy playing together and play for each other. 
        
 
        
They give a spirited and engaging account of the Haydn, 
          one of six quartets which he penned between 1796 and 1799. They combine 
          particularly effectively in a fine reading of the solemn Largo which 
          lies at the heart of the work. I was much taken with the ebullient high 
          spirits which they bring to the vivacious finale, a movement which they 
          dispatch with suitable zest and brio. 
        
 
        
The Ravel finds them suitably suave and sophisticated. 
          This is a work full of light and shade and the members of the Cypress 
          display a good feel for it. It’s an elusive piece, not easy to bring 
          off, but I felt that both individually and collectively the players 
          were at home with its idiom. As was the case with the Haydn, their handling 
          of the slow movement is especially pleasing, being full of feeling and 
          atmosphere. The last of the four movements is a fiery, virtuoso affair 
          which these players deliver with real drive and bite. 
        
 
        
The work by Schulhoff was new to me. It was composed 
          in 1923, the year that he returned to his native Prague from Germany 
          where he had stayed after military service in the Great War. During 
          the five years after the War he had become radicalised, both politically 
          and musically, but this present work, though far from being an undemanding 
          listen, is very attractive. To describe it I can do no better than to 
          turn to the liner notes in which we read that the pieces are "delightful 
          dances, some humorous and some satirical in character. With his vast 
          repertoire of sounds, Schulhoff created miniature pictures of popular 
          dances, including a spoof of a Viennese Waltz, an uneven Arabic dance, 
          a pulsing Czech folk dance, an evocative tango and a rollicking Tarantella." 
          The pieces are interesting and inventive and the players perform them 
          with obvious commitment (they really attack the driving third movement, 
          Alla Czeca (track 11). I enjoyed their performance. 
        
 
        
The recorded sound for the whole recital is fully satisfactory 
          though on my equipment it sounded as if just a little more ambience 
          and space round the ensemble would not have come amiss. The accompanying 
          notes are succinct but informative and useful. 
        
 
        
In summary, this is an enjoyable disc by a fresh-sounding 
          young quartet from whom I hope we hear more on disc. Recommended. 
          John Quinn  
          An enjoyable disc by a fresh-sounding young quartet from whom I hope 
          we hear more on disc. Recommended. … see Full Review