Collins Classics originally recorded this collection 
          of popular Wagner overtures and preludes though this reissue gives no 
          information as to when and where the recordings were made (it is a DDD 
          recording, by the way). No complaints, though, about the quality of 
          the recorded sound which is full and well balanced. 
        
 
        
The performances are a touch uneven. I thought that 
          Simonov shaped the timeless Act I prelude to Lohengrin pretty 
          effectively. The tempo flows nicely without being rushed and Simonov 
          gets his players to realise well the translucent beauty of the opening. 
          As the music progresses he builds the tension impressively. 
        
 
        
He is good, too, in the Meistersinger overture, 
          sensibly adopting a moderate tempo which avoids pomposity and he keeps 
          the various lines of counterpoint clear. This, too, was a successful 
          performance which I enjoyed. 
        
 
        
I was a little less sure elsewhere, however. In some 
          of the other pieces tempi sometimes seem to err on the side of caution. 
          Thus, for example, the speed for the Pilgrims’ Hymn which opens 
          the Tannhäuser overture just sounded a touch too slow and, 
          as a result, rather careful. In the Weber-esque Rienzi overture 
          I liked the suspenseful opening (even if the solo trumpet does allow 
          the pitch of those cruelly exposed single notes to waver slightly). 
          However, when the speed picks up (track 1, 5’48") I thought Simonov 
          had chosen a tempo which was just a bit too deliberate. It’s only a 
          matter of fairly fine degree (and other listeners may have differing 
          views about these things) but such details do tend to make a difference 
          between decent and excellent performances. 
        
 
        
This is pretty unexceptionable collection and I think 
          anyone buying it on impulse would not feel short changed (though they 
          should be warned there is no documentation at all accompanying the CD). 
          That said, there are many such collections on the market, many at medium 
          or budget price, and it would be idle to pretend that these performances 
          seriously challenge the hegemony of the likes of Klemperer, Reiner, 
          Szell or Tennstedt, to name but a few. 
        
 
          John Quinn