This is a rare opportunity to savour the glorious Joan 
          Sutherland at her peak in a live performance of an opera which she performed 
          many times all over the world. She is on top form here, and her many 
          fans will be overjoyed to hear and see their heroine in performance 
          accompanied by her husband Richard Bonynge in their natural home in 
          Sydney. 
        
 
        
Her standard of singing is at her usual excellence, 
          and if her co-artists are not at quite the same level of excellence, 
          there are no absolute weak links in the cast. There are two shortcomings 
          in this production however and these are the sound and the production. 
          The sound, by normal DVD standards is well below what we have come to 
          expect, without being awful. The main problem is excessive background 
          hiss and this can be tolerated once the production is underway. 
        
 
        
What I find difficult to tolerate however, is the staging 
          of Elijah Moshinsky. Throughout the opera, the sets are so dark that 
          it is almost like the cast singing against a black background, and illuminated 
          from above by white spotlights. This is OK occasionally, but to stage 
          the entire opera in this fashion, smacks of obsession. The problem is 
          that the squareness of Joan Sutherland’s chin is accentuated and I find 
          this most off putting. 
        
 
        
With the rest of the cast also singing in this black 
          world, how they kept up their standards of performance I am at a loss 
          to understand. The recording was made during a run of the opera in 1983 
          in Sydney. The opera was given as a series of performances between 5th 
          June and 22nd July, 1983. One performance was broadcast, 
          and another was issued on video, later to form the basis for the present 
          DVD. 
        
 
        
Francisco Ortiz had originally been engaged for the 
          part of Manrico, but was substituted at the last moment by Kenneth Collins. 
          One would never realise from this DVD that we are watching a last minute 
          substitution, as Kenneth Collins gives a very assured performance in 
          this key role. 
        
 
        
Also, apparently, the programmes were printed in white 
          text on a black background – such was the obsession of those in power. 
          What we poor mortals have to endure in the name of art! 
        
 
        
This is one time when I would rather listen to a CD 
          performance of this opera than watch the DVD. This is unfortunate, as 
          there are few enough examples of Joan Sutherland’s artistry on commercially 
          available film. 
        
 John Phillips