Martinu is a composer 
          who seems to have a growing worldwide fan club, if the proliferation 
          of recordings of his music is any indication. I approached this music 
          feeling some sort of obligation to like it. Alas, after careful consideration, 
          I must conclude that Martinu was a composer that was as uneven 
          as he was prolific. He was also given, like his American counterpart 
          Alan Hovhaness, to repeated uses of the same compositional devices; 
          devices which wear thin very quickly. 
        
 
        
That is not to say that there is not at least some 
          interesting music here. In particular, the slow movements are fresh 
          in their harmonic language, and original in their melodic construct. 
          In particular, the Andante of the seventh quartet is simply gorgeous, 
          and it is played here with a tenderness and care that borders on the 
          sublime. Alas, the two or three slow gems cannot make up for the incessant 
          underpinning of chugging sixteenth-note chords, scored in gratingly 
          tight and dissonant harmonies that demolish the majority of the faster 
          movements. One can handle this device for a time. It was reasonably 
          effective in the fourth quartet’s first movement. But when it reappeared 
          in the second and fourth movements, and then reared its head again in 
          the fifth quartet, I, for one, had had quite enough. 
        
 
        
Nevertheless, there is still some music to enjoy here, 
          and despite the freight train motif, the melodies that peer above it 
          have some originality and grace, and are at least worth the investment 
          of a single listen. 
        
 
        
The performances here 
          are basically above reproach. The Martinu quartet plays vigorously, 
          and with a fine sense of ensemble. They are simply ravishing in tone 
          and expression in the slower movements mentioned above. It would 
          be a joy indeed to hear them in better repertoire. 
        
 
        
Keith Anderson, as usual, 
          provides excellent program notes and the sound quality is of the first 
          order. For fans of Martinu’s music, this disc is worth the 
          investment. Recommended with some hesitation. 
        
 
        
Kevin Sutton