The Vlach Quartet Prague has previously recorded a 
          highly idiomatic and well regarded cycle of this composer's string quartets. 
          I am happy to report that the second volume of this quintet series lives 
          up to high standards achieved by both that set of discs and its own 
          immediate predecessor (Volume 1). The latter successfully coupled his 
          Schubertian A minor Opus 1 with the masterful "American" in E major 
          (Op. 97) and this issue also contrasts early and later material in an 
          equally effective and satisfying programme. The Op. 77 numbering of 
          the main work included here is misleading in that it was originally 
          the Opus 18 and was written much earlier (1875) than might be imagined. 
          That said, it is not a totally unidiomatic piece and its original subtitle 
          ("My People") is not misplaced in that it does have plenty of 
          Bohemian folk inflections in its four movements (the original, earlier 
          additional movement, later dropped, is included here as the charming 
          but fairly insubstantial Intermezzo). 
          As ever with Dvořák, the music is beautifully lyrical and highly 
          listenable but without ever plumbing the emotional depths of the 
          later quartets (the Op. 106, for instance). 
        
 
        
If the inclusion of a 
          double bass was perhaps a foreshadowing of Dvořák's later inspiration 
          by, or at least allusion to, jazz, blues and other popular idioms (e.g. 
          in the late tone poem The Wood Dove, as well as the more 
          obvious "American" works), the concentrated miniatures (Drobnosti), 
          for string trio, hint, in several places, more overtly at this side 
          of his musical character. I found these, despite their brevity, the 
          most satisfying music on the disc, with the closing Andante appassionato 
          also being another pleasant but not entirely original rejigging of a 
          section of an earlier quartet. 
        
 
        
While this disc does not 
          represent Dvořák the chamber composer at the peak of his powers, 
          it is beautifully performed and recorded and well worth the modest asking 
          price. If you haven't already, buy Volume 1 first or, better still, 
          the Vlach's coupling of the "American" quartet and the Op. 106, 
          but purchasers of this disc are hardly likely to be disappointed. 
        
 
        
        
Neil Horner