This disc, from the Californian audiophile imprint 
          Reference Recordings, is without question an impressive listening experience. 
          The combination of conductor Eiji Oue and the Minnesota Orchestra has 
          now recorded several discs for the label yet, looking at the listing 
          in the back of the CD booklet, this one has to go down, its excellence 
          aside, as one of its least adventurous. A few tracks apart, it could 
          otherwise easily be mistaken for one of the endless compilations for 
          "relaxation" etc. that seem to be forever hitting the shelves. 
        
 
        
The performances of the French works (especially Debussy, 
          Satie, Fauré, Ravel) are all satisfyingly idiomatic, including 
          Adam Kuenzel's lovely flute in the mysteriously English titled Afternoon 
          of a Faun (the same idiosyncrasy arises with Ravel's "Dead Princess" 
          yet not the Massenet and Gounod pieces!). I have to say that this listener 
          at least was distinctly underwhelmed by the works that I was less familiar 
          with, i.e. the Massenet, Gounod and Wolf-Ferrari. Massenet's Last 
          Sleep of the Virgin pales completely beside John Tavener's much 
          more recent "veneration" on the same subject matter and the others owe 
          a great deal to their respective composer's operatic inspirations (melodramatic 
          and ultimately lightweight to these ears). 
        
 
        
Tchaikovsky is a much maligned composer in some circles 
          but the Andante Cantabile included here (originally drawn from 
          the first string quartet) confirms the genius at work (the aforementioned 
          Tavener has publicly expressed his preference for Tchaikovsky over Mahler 
          and I was reminded also of Louis Andriessen's recent comments, in a 
          similar vein, that a great composer writes music that is about music 
          not about himself). Tchaikovsky continually transcended his personal 
          tragedies in his music and this is but one example. Which, of course, 
          brings us on to Sibelius. If ever there was a composer who, Finlandia 
          and maybe the Karelia Suite apart, is totally inappropriate for 
          inclusion on this type of disc, then it is the Finnish master. The 
          Swan of Tuonela is one of his earlier minor masterpieces and fairly 
          unusual in highlighting the cor anglais but it is far more effective 
          set among more likeminded works (either of Sibelius' own or those of 
          kindred spirits) rather than in this present context. 
        
 
        
This is probably a disc for audiophiles to cherish 
          (and play at dinner parties?) and one that someone newly discovering 
          classical music might gain a great deal from but for the classical aficionado 
          there is precious little here that will truly illuminate or enlighten. 
          The gushing booklet notes are rather over the top as well. 
          
          Neil Horner