I don’t think that any label on earth issues better 
          recital discs than Crystal Records. This lovely concert by David Shostac, 
          principal flute of the Los Angeles Chamber Orchestra and pianist Anita 
          Swearengin is no exception to the rule. If there is a problem at all 
          here, it is that the playing time of the disc is too short. I wanted 
          to hear some more. As a rule, I receive twenty or more discs per month 
          to review. That doesn’t leave me time for much repeated listening. My 
          rule is to listen to a disc twice before writing about it. I have now 
          listened to this program six times in two weeks. That is a new record! 
        
 
        
The high spots of this splendid hour are the two haunting 
          works by composer, writer and record producer, Martin Kosins. It has 
          been a long time since I have heard such evocative writing, and for 
          a pleasant change, this is music that is tuneful and attractive without 
          sounding like the new age drivel that is passing for music these days. 
          All the elements of a well-constructed work of music are present in 
          Love Letters, and yet we also get atmosphere, melody and rhythmic 
          interest. Winter Moods is a work that is on a par with Telemann’s 
          masterful unaccompanied suites. Mr. Kosins’ work needs to be heard in 
          the concert hall, and I hope that this disc will lead to more flutists 
          programming his music. 
        
 
        
Mr. Shostac plays with a wonderful sensitivity. He 
          sings with his instrument, which is the highest compliment that I, a 
          singer and choirmaster by profession, can pay. He is also quite capable 
          of virtuosity, as the Hora staccato of Dinicu (borrowed from 
          the violinists’ repertoire) bears out. The other works that round out 
          the program are well executed too. Borne’s Carmen fantasy is 
          a little predictable, and I cannot help but think that Sarasate’s treatment 
          of this music is all we really need of the Carmen medley genre. 
        
 
        
Let me just get it off my chest and say that I love 
          this recording, and that it comes with unqualified recommendation. It 
          is one of the most satisfying new discs to have come across my desk 
          in a long, long time!
 
          Kevin Sutton