This is the 1995 May Day Concert given by the Berlin 
          Philharmonic in Florence in 1995. The venue is the superb Palazzo Vecchio 
          which has murals covering the entire wall area, Much is made of these 
          throughout the DVD. 
        
        Brian Large, the director, is a stalwart of this series 
          of DVDs and we have the usual imaginative camera work and deeply impressive 
          sound to enhance our pleasure, incidentally shared by the audience sitting 
          in the hall.
        
        The only problem about a recording such as this is 
          who would want to buy it. Of course, if you were there, you might buy 
          it as a memento of the day. But what about the rest of us? My usual 
          counter to this, is to say that seeing the orchestra playing the type 
          of repertoire that is played at these concerts, is no hardship, such 
          is the artistry of the players. 
        
        This is the first of these recordings which includes 
          an incomplete work. It is quite strange to have only the first movement 
          of the Paganini. I can’t imagine that Sarah Chang went all that way 
          just to play one movement of a concerto. Nothing is mentioned in the 
          notes about the rest of the work, and there is no apparent editing of 
          sound and vision to make me assume that the remainder of the concerto 
          was played but not presented on the DVD for some reason.
        
        The concert starts with a performance of the Fidelio 
          overture; the only item which is of a lower standard than the rest. 
          This was no doubt due to the fact that the orchestra were warming up, 
          as about two thirds through the overture, the standard of the playing, 
          and the alertness of the players improves noticeably.
        
        We then move on to the Boris Blacher work, which is 
          an attractive orchestral showpiece based upon the same Paganini caprice 
          that also inspired other composers such as Brahms and Rachmaninov. The 
          work consists of a series of sixteen variations on the beginning of 
          the theme. 
        
        The Paganini connection is continued by Sarah Chang 
          playing the first movement of the 1st Violin Concerto, the 
          connection being reinforced by the hall, within which is a collection 
          of violins and other stringed instruments made by Guarneri, Amati and 
          Stradivarius. These were originally made for the Medici family who had 
          the hall made for them. The collection of stringed instruments is not 
          open to the public, but in the documentary which is on this DVD, we 
          are treated to a guided tour.
        
        The concert ends with a stunning performance of Stravinsky’s 
          Petrushka. The collective virtuosity of the players is never 
          in doubt. For the encore we are treated to a Slavonic Dance 
          by Dvořák, and whilst we do listen in vain for the rustic qualities 
          of an orchestra like the Czech Philharmonic, the élan of the playing 
          is stunning.
        
        This presents an excellent video and sound production 
          and the picture format is 16:9, unlike many of the other DVDs in this 
          series which are 4:3. The sound quality is fine. The acoustic must have 
          been quite difficult in the venue with its ‘shoebox’ shape and hard 
          reflective walls. The recording team has done a wonderful job. I enjoyed 
          this production immensely.
        
        
        John Phillips