On May 9th 1868, Anton Bruckner took up 
          the baton, and conducted the premiere performance of his Symphony No. 
          1 in C Minor. Actually it was his second symphony, not his third as 
          has been wrongly stated in the past. The chronology of these first three 
          symphonies is as follows: strictly according to their composition dates: 
          Symphony in F Minor, later called by Bruckner the Symphony No. "00" 
          was composed in 1863. At the age of 39, to mark the end of his "Free" 
          composition studies with Otto Kitzler, came the Symphony No. 1 in C 
          Minor of 1866. After this came the Symphony in D, of 1864, subsequently 
          called the Symphony No. "0" in 1895. This re-classification 
          of these symphonies largely came about due to scholarly research by 
          Professor Carragan amongst others. 
        
 
        
A few months later, following a move to Vienna, Bruckner 
          "Revised" the 1st Symphony by thickening up of 
          some inner textures with added woodwind and brass. He then called it 
          the "Vienna" edition. This revision was carried out during 
          the 1870s. 
        
 
        
Even at this early stage of Bruckner’s compositional 
          career, the strong influence of the works of Richard Wagner can be clearly 
          heard, mainly as a result of the "Opera" Tannhauser. 
          Bruckner had in fact attended a performance of Tannhauser in 
          1863, conducted by his young teacher Otto Kitzler, in 1865, he travelled 
          to Munich to attend a performance of Tristan und Isolde. The 
          music of Wagner was to have a life-long influence on Bruckner’s works, 
          and Bruckner’s veneration for Wagner became wholly obsessive during 
          his middle compositional years. 
        
 
        
What we have on this CD, is a fine performance and 
          recording of the 1865/66 "Linz" edition of the 1st 
          symphony given by one of the world’s oldest and most refined orchestras. 
          The Leipzig Gewandhaus Orchestra are directed by Vaclav Neumann, who, 
          sadly, died on September 2nd 1995, shortly after his 75th 
          birthday. For a conductor, 75 is positively middle-aged. The tempi are 
          finely crafted and played with a great affection for Bruckner’s symphonies. 
          There is an overall feeling that the largish scale symphonic sound-world 
          of this work owes more to very late Schubert than to the massive sound-world 
          of Wagner. Having said that, this, epic structure is immensely easy 
          to listen to, and for the first time listener, will not present any 
          problematic moments. All in all, this issue can be greeted with a fine 
          recommendation, and at what is a silly budget price deserves to be within 
          every Brucknerian’s CD collection. 
        
 
        
It is also worth mentioning that the Royal Scottish 
          National Orchestra conducted by the late great Georg Tintner have recorded 
          on the Naxos label the "Unrevised Linz Version ed. Haas/Carragan" 
          of 1866. The label claims this to be the "World Premier Recording". 
          Both CDs should be purchased without delay, as they are both important 
          documents of Bruckner’s early compositional skills. 
        
 
        
Scott Montague