This is a double album issued by RCA France and very 
          welcome it is too. It collects together important cello / piano works 
          by romantic / classical composers in performances which have been admired 
          for some years. The recordings have been re-compiled in 2001 according 
          to the sleeve, but the recordings, already first class have obviously 
          not needed any remastering. 
        
 
        
Although the sleeve illustrates Janos Starker in a 
          weird costume, Yo Yo Ma takes up just under half of the playing time 
          of the double album. His performances of the two Brahms Cello Sonatas 
          with Emanuel Ax are well known on the Sony award winning recording, 
          and many collectors may have this issue. The current issue is an earlier 
          recording, which is in no way inferior to the later disc. Indeed there 
          is a slight improvement in the freshness of the interpretations, with 
          the later performances being somewhat more studied. In addition, there 
          is a slight difference in the balance between the instruments, the cello 
          being closer in the RCA performances. 
        
 
        
Janos Starker then takes over for the remainder of 
          the double album and gives us first rate performances of a number of 
          other cello masterpieces. We have a transcription of the violin sonata, 
          Op. 78, whereas the Sony disc mentioned above contains the Op. 108 violin 
          sonata. Therefore if you have the Sony issue, this disc does not clash 
          too much in the duplication stakes. 
        
 
        
The adagio and allegro for cello and piano by Schumann 
          completes the first disc, and these two movements make a wonderful encore 
          for the two Brahms sonatas. Rudolf Buchbinder is a first rate accompanist 
          and the colours of Schumanns inspiration are clearly evident. The brightly 
          lit recording ensures that all detail of Starkers playing can be clearly 
          heard. Written for clarinet, viola or cello, Schumann gave the players 
          the choice of what instrument to use for this 
        
 
        
We move on to the second disc with more Schumann, this 
          time with Starker being accompanied by Shigeo Neriki. The level of inspiration 
          is constant and the works on the second disc should give as much pleasure 
          as those on the first. 
        
 
        
The disc starts off with the Schumann Fantasiestucke, 
          Op. 73, again written for a range of instruments with piano accompaniment. 
          Here we have the version for cello and piano and there is a good balance 
          between the two instruments, allowing all of the detail to be heard. 
        
 
        
The arrangement of the Op. 78 violin sonata by Brahms 
          then is heard and once again, the recording balances Starkers small 
          tone very well against the much louder piano. It is good to hear this 
          arrangement along with the original. 
        
 
        
The disc finishes off with a very fine performance 
          of the Rachmaninov Sonata in four movements. Anyone purchasing this 
          French RCA double disc is in for a very rewarding two and a quarter 
          hours listening provided they dont tire of piano and cello. I for one 
          did not tire of it, and I enjoyed the disc very much. 
        
        
 
        
John Phillips