This third volume in the Kooiman/Bach series includes 
          some of Bach’s finest works for organ. These Trio Sonatas each contain 
          three movements, and are among Bach’s subtlest compositions for organ. 
          They are not meant to be played with large, forceful registrations - 
          in fact, if played in this manner, their detailed counterpoint would 
          be lost in the reverberation. Played in three parts - that is with each 
          hand playing one voice and the feet playing the third - these works 
          are brilliant examples of both technical and melodic mastery. 
        
 
        
As in the first volume of the trio sonatas, Kooiman 
          plays at relatively slow tempi, which better highlights the subtle interplay 
          of the voices. The middle movements are intense and lyrical, but at 
          times these slow tempi seem to betray the spirit of the sonatas. At 
          times, the fast movements seem a bit lacking in energy, while the slow 
          movements tend to sound much more appropriate. 
        
 
        
This disc also contains three fantasias, the long BWV 
          542, which is a fantasia and fugue full of energy, and gives the organ 
          a chance to speak out brilliantly. This is the only "big" 
          piece on the disc. The trio sonatas and the other fantasias are all 
          more sedate. Kooiman sounds right at home in this piece, with a great 
          deal of vigour and energy. 
        
 
        
One comment about this disc and the other one of the 
          Trio Sonatas. The sonatas are recorded with all three movements on one 
          track, which prevents the listener from putting on a specific movement 
          of these works. While this is not often a problem, it can be annoying 
          to some who occasionally want to listen to just certain movements. 
        
 
        
As for the first volume of the sonatas, Kooiman seems 
          to be struggling with two distinct styles of music. In the slower movements, 
          his subtle playing fits perfectly, but in the faster movements of the 
          trio sonatas he seems to be out of tune with the music. The one "big" 
          work on this disc, the G minor Fantasia and Fugue, is brilliantly played, 
          however, and it seems that this performer is more at home in this type 
          of music than the more intimate works. 
          Kirk McElhearn  
        
 
          CONTACT DETAILS 
          KM-Records 
          Postbus 239 
          NL-2130 AE Hoofddorp
        
UK Distribution 
        
 Presto Music 
          
          11 Park Street
          Royal Leamington Spa
          Warwickshire
          CV32 4QN
          01926 317025 
        
info@prestoclassical.co.uk