Walford Davies, organist at the Temple Church, Professor 
          of Music at Aberystwyth and Master of the King’s Musick is comparatively 
          little regarded these days. His memory is kept alive, in this writer’s 
          mind at least, by four memorable tunes. These are the RAF March Past 
          (first section only), the brief anthem God Be In My Head, 
          a setting of O Little Town Of Bethlehem which is far better than 
          the usual one to be heard and Solemn Melody, usually now heard 
          on great patriotic occasions. The latter is indeed here, twice, in versions 
          for organ solo and, arranged by Roger Fisher, cello, splendidly played 
          by Andrew Fuller. Otherwise the disk extends our knowledge of the composer. 
        
 
        
Mr Fisher is one of our finest organists and has a 
          deep sympathy with romantic organ (and piano) repertoire. Here he puts 
          an excellent case for Davies’ music on the Rothwell organ of St George’s, 
          Headstone, an instrument known to Walford Davies, who, curiously published 
          nothing for organ in his lifetime, apart from Jesu Dulcis for a volume 
          in memory of Parry. However the arrangement and unpublished items here 
          are well worth our notice. The Interlude (1937) is a cheerful, tuneful 
          piece. The much earlier Fugue and Chorale are teaching pieces, maybe, 
          but direct in appeal. In the Reverie the organ is dominant in the voices 
          (excellent singing) merely colouring melodious argument. Memorial Melody 
          is an arrangement from the original (organ/strings) written to mark 
          the death of King George V. We also have pieces dedicated to Davies 
          by other composers. These include the Elegy by Thalben–Ball, his successor 
          at the Temple Church, being heard, like Solemn Melody – which it strongly 
          resembles – in both organ and cello/organ versions. There are also extracts 
          from two of Walford Davies’ radio broadcasts on "Music and the 
          Ordinary Listener" which were landmarks of music appreciation. 
          We must be grateful for this valuable and excellently recorded and annotated 
          CD. Dare we hope for recordings of the Symphony, the oratorio Everyman 
          and some of the chamber music? 
        
 
        
        
Phil Scowcroft 
        
        
        
        
        
See also review by Christopher 
          Howell