This second set in Brilliant Classics’ complete Mozart 
          series brings one of Mozart’s finest and best-loved operas - Le Nozze 
          di Figaro - together with a lesser known lyrical work, Apollo 
          et Hyacinthus. With a marked difference between the two performances, 
          these two works and recordings are complementary. The former is a live 
          recording on period instruments, conducted by Sigiswald Kuijken, one 
          of the stalwarts of early and baroque music. The latter, a studio recording 
          conducted by Max Pommer, is a hybrid recording, which sounds as though 
          the instruments are more modern, though it uses a harpsichord for continuo. 
        
 
        
Sigiswald Kuijken recorded Figaro for Accent 
          records in 1998, and this set is a live recording from the same period. 
          Most of the soloists are the same as on the studio recording. The sound 
          of this set is very good for a live recording, and the orchestra and 
          soloists express a fine level of energy. The choir sounds a bit muddy 
          at times, but almost all of the soloists are top-rate. Werner van Mechelen 
          is a very good Figaro, and Christiane Oelze is an excellent Susanna. 
          This is perhaps not a "great" Figaro, but the overall 
          quality of the singers and musicians makes it certainly worth its bargain 
          price. 
        
 
        
Apollo et Hyacinthus is a lesser-known work 
          among Mozart’s corpus of vocal music. The music on this set was used 
          as interludes in a "spoken drama" by Clementia Croesi, probably 
          to add some interest to a text that the notes call "dry". 
          The recording is interesting, though. Dense choral movements alternate 
          with thick-sounding string accompaniment and recitatives with a harpsichord 
          playing continuo. Pommer gives a hybrid performance - while most of 
          the instruments sound modern, the harpsichord is clearly period. The 
          singers are excellent despite Venceslava Hruba-Freiberger who suffers 
          from ‘the chirps’ - not a single note comes out of her mouth without 
          vibrato. Nevertheless, there are some fine moments in this set, and 
          this is an interesting curiosity. 
        
 
        
A very good set consisting of one of Mozart’s finest 
          operas and a little-known work. This bargain-priced box set will delight 
          Mozart fans, and continue to please those collecting this complete Mozart 
          edition. 
          Kirk McElhearn