This DVD presents a concert recorded in the Kloster 
          Melk Benedictine Monastery in Austria of two of Bachs finest cantatas 
          and his Magnificat. All three of these feature choral movements, and 
          the Arnold Schoenberg choir participates greatly, providing a beautiful 
          sound and an excellent performance.
        
        
Nikolaus Harnoncourt, over the years, has changed his 
          opinions on how Bachs cantatas should be performed. Originally, when 
          recording the complete set of sacred cantatas with Gustav Leonhardt, 
          he used no female singers (as was the case in Bachs time), and small 
          forces. But now, he has progressed a bit and become less fundamentalist. 
          In this recording, one can see just how much he has changed. Not only 
          are there female soloists and choristers, but the forces are much more 
          than what he originally used. The choir seems to be about 40 to 50 singers, 
          and there are some 30 members of the orchestra. This said, the Magnificat 
          is a work that calls for relatively large forces, but it can also be 
          performed with fewer musicians and choristers. Nevertheless, Harnoncourt 
          still uses musicians with original instruments, and the sound is certainly 
          closer to a historically-informed performance (HIP) than its contrary. 
        
        
        
The performances of these three works are excellent. 
          Not only are the choir and orchestra of the quality one expects from 
          a conductor such as Harnoncourt, but the soloists are all top-notch 
          as well. The young tenor Ian Bostridge stands out particularly in these 
          three works, and is especially brilliant in the cantata BWV 61. Bostridge 
          has shown, in his short career, that he is one of the finest Bach evangelists, 
          and here, as a soloist in these three works, shows his range and level 
          of emotion. However, the poor boy looks extremely tense when singing; 
          he lacks poise and posture, and has what adepts of the Alexander Technique 
          call very bad use. But this does not seem to affect his voice; at least 
          not yet. 
        
        
Soprano Christine Schäfer is also excellent, especially 
          in cantata 61. The other women sing fine, but it is truly Schäfer 
          who stands out in these works, though her trio with Anna Korondi and 
          Bernarda Fink, near the end of the Magnificat, is magnificent. Baritone 
          Christopher Maltman is also very good, and his voice has just the right 
          tone for singing Bach.
        
        
This is a wonderful DVD, with three fine sacred works 
          by Bach, featuring excellent musicians, choir and soloists. A must-have 
          disc for collectors of Bach DVDs. One can only hope that there will 
          be more such recordings by Nikolaus Harnoncourt.
        
        
        
Kirk McElhearn