Too late for this Christmas, 
                  certainly, but here is a disc to mark down for next year, especially 
                  if you are a music director looking to broaden your repertoire. 
                   
                
 
                
A generously-timed programme 
                  is introduced somewhat misleadingly as ‘a collection of new 
                  popular carols for Christmas sung in the cathedral choral tradition.’ 
                  New most of them are, and many deserve to become popular, but 
                  ‘new’ and ‘popular’ are surely contradictions in terms. Nor 
                  are they exactly typical of the ‘cathedral choral tradition’: 
                  since when did the piano play such a prominent accompanying 
                  role in a cathedral? Personally, I find the piano an unsatisfactory 
                  substitute for the organ in choral music, and here it is particularly 
                  dull, as in One cold dark night (sample 1). 
                  Moreover, when the organ is used, it is far too reticent. And 
                  one will listen in vain for the spacious, soaring Anglican ‘cathedral 
                  sound’. This is not the fault of the performers, but Christ 
                  Church is one of the country’s smallest cathedrals and some 
                  adjustment should have been made to compensate for its dead 
                  acoustic. Finally, I have to say that the term ‘carol’ is somewhat 
                  elastic: Wesley’s Love divine … a ‘carol’?  
                
 
                
It speaks volumes for 
                  the disc, therefore, that despite all these reservations I have 
                  no hesitation in warmly recommending it – for its widely ranging 
                  repertoire and consistently high standard of performance. It’s 
                  good to find one of Malcolm Williamson’s richly harmonised pieces 
                  – Dawn Carol – included (as in his setting of the Alleluia: 
                  sample 2), Stephen Darlington’s Jacob’s Ladder, 
                  two highly attractive if not particularly original carols by 
                  Peter White (a composer new to me) and Sebastian Forbes’s There 
                  is no rose – the disc’s much the most harmonically adventurous 
                  track. I particularly enjoyed four fluent and colourful settings 
                  by Howard Goodall, notably the jazzy Romance of the Epiphany 
                  (sample 3) and his ripe music to Love divine: 
                  it’s high time that John Rutter faced some competition!  
                
 
                
By today’s standards 
                  the accompanying booklet is woefully inadequate: true, the words 
                  of every carol are given, but there is no information whatsoever 
                  about the composers.  
                
  
                 
                
 
                
Adrian Smith