Handel’s Julius Caesar is one of his finest operas. 
          This dramma per musica was first performed in 1724, and Handel 
          conducted more than forty performances of the work. It is one of the 
          most frequently performed of Handel’s operas. 
        
 
        
This performance is cut a great deal. Many of the recitatives 
          are shortened, and a scene at the end of act II, and several numbers 
          from act III, have been cut. Unfortunately, many of these cuts involve 
          Ptolemy, played by the great James Bowman. Bowman is excellent, though 
          with his shaved head and bouffant pants he looks a bit strange. The 
          costumes for the performance are certainly idiosyncratic - in fact, 
          the entire production design is exaggerated, the costumes verge on the 
          ridiculous. 
        
 
        
Janet Baker as Caesar is very good, but, like most 
          of the singers in this opera, her acting suffers from this work having 
          been filmed in the studio. Opera singers are not all gifted actors, 
          but it must be much more difficult for them when there is no audience. 
        
 
        
Sarah Walker as Cornelia is uninspired; she sings with 
          so much vibrato, and her face shows so little emotion, that she almost 
          seems to have wandered into the wrong opera. Her acting is about as 
          good as that of most soap opera actors; her melodramatic expressions 
          recall silent movies. 
        
 
        
This DVD suffers from poor video quality, and, since 
          this was filmed in a television studio, the sound lacks richness. At 
          times, the balance between the orchestra and voices is a bit lacking. 
          In addition, there is very little that is truly baroque (at least the 
          way the term is understood today) in Charles Mackerras’s orchestra. 
          It sounds quite modern, in spite of the use of a harpsichord. 
        
 
        
But in spite of all these negative comments, the music 
          is great. This is, after all, one of Handel’s finest operas. There are 
          some treasurable moments, and the chance to see the great James Bowman 
          makes it all worthwhile. 
        
 
        
        
Kirk McElhearn