Naxos continues to add jewels to their crown with this fine 
        series of educational recordings. "Opera Explained" delves into 
        the lives, times and works of great opera composers. This introduction 
        to Wagner’s early masterpiece is a fine example of just how well an educational 
        effort can be done. 
         
        
In just over an hour, we are taken through the life 
          and works of Richard Wagner, one of music’s great revolutionaries and 
          one of the most controversial characters ever to pick up a pen. It has 
          been said that more books have been written on the topic of Wagner that 
          of any other figure in history save Jesus Christ. 
        
 
        
Well paced and written at a level that will entertain 
          professionals while enlightening novices, this fine script by Thomson 
          Smillie is brought to life with great panache by David Timson. The thing 
          that I found most appealing is that before we launched into bleeding 
          chunks of the Dutchman, we were given a thorough grounding in 
          Wagner’s compositional style through some very well chosen excerpts 
          from other works. We also learned a great deal about his politics, ambition 
          and sexual prowess. 
        
 
        
We are given just enough music to whet our appetites, 
          and I for one will add Naxos’s complete recording of Dutchman 
          to my collection. Compared to the Classics Explained series, 
          which deals with symphonic repertoire, the booklet notes are pretty 
          skimpy. (See my review of the Beethoven sixth from this series for details.) 
          That is both good and bad. Good, because one would be more inclined 
          to use the elaborate symphony books as references rather than sit-down 
          reads, and bad because it would be nice to have such a reference for 
          the operas. There is a lot to know about Wagner, you know. 
        
 
        
The disc however, makes up for any frugality on the 
          printed page, and one leaves with a better understanding of a very complex 
          composer and his work. Recommended for opera lovers and newcomers alike, 
          this is another winning series from what has come to be my very favorite 
          record label. (Hey, I am a critic; I am allowed to be biased!) 
        
 
        
At this rate, I hope that we will soon begin to see 
          series such as this one devoted to chamber music, the choral literature 
          and solo instrument repertoire. Since it seems to be Naxos’ mission 
          to give us an excellent affordable recording of the entirety of Western 
          Art Music, I don’t see what would stop them. (HINT!) 
        
 
        
Buy this disc and the others in the series. You will 
          be glad you did. 
        
 
        
        
Kevin Sutton